White Horses (Horses in a Storm), Erich Heckel
Erich Heckel
White Horses (Horses in a Storm)
DE
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Erich Heckel

White Horses (Horses in a Storm), 1912


Blatt
341 x 586 mm
Druckstock
min. 267 x max. 311 mm
maximum height
308 mm
Physical Description
Colour woodcut from two blocks in black (drawing block) over green, light blue, and dark blue (colour block) on handmade laid paper
Inventory Number
68000
Object Number
68000 D
Acquisition
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Acquisition

The Städel Museum has the photographer, psychotherapist, philanthropist, and long-time Frankfurt resident Ulrike Crespo (1950–2019) to thank for more than ninety works ranging from classical modernism to American pop art. The paintings, drawings, and prints by Wassily Kandinsky, Otto Dix, Oskar Schlemmer, Max Ernst, Jean Dubuffet, Cy Twombly, and others originally belonged to the holdings of her grandfather, the Darmstadt-based industrialist Karl Ströher (1890–1977), who amassed an extensive art collection after World War II.

Work Data

Basic Information

Title
White Horses (Horses in a Storm)
Artist
Edition
Ex. außerhalb der Auflage von ca. 80 Ex. im Verlag J. B. Neumann, Berlin
Period Produced
Object Type
Physical Description
Colour woodcut from two blocks in black (drawing block) over green, light blue, and dark blue (colour block) on handmade laid paper
Material
Technique
Geographic Reference
Label at the Time of Manufacture
Signiert und datiert neben der Darstellung unten rechts (mit Bleistift): Erich Heckel 12; bezeichnet neben der Darstellung unten links: Handdruck
Watermark
  • Nicht vorhanden
Work Catalogues
  • Dube H 242 b IV (von IV) A

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© Nachlass Erich Heckel, Hemmenhofen; VG Bild-Kunst, Bonn 2024
Acquisition
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection

Work Content

Motifs and References

Iconclass

Primary
Secondary

Research and Discussion

Provenance

Object History
...
Karl Ströher (1890-1977), Darmstadt
Nachlass Karl Ströher, 1977
an seine Enkelin Ulrike Crespo (1950-2019), Frankfurt am Main
Vermächtnis an das Städelsche Kunstinstitut, Frankfurt am Main, 2019.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

19.02.2024