White Horses (Horses in a Storm), Erich Heckel
Erich Heckel
White Horses (Horses in a Storm)
DE
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Erich Heckel

White Horses (Horses in a Storm), 1912


Blatt
366 x 436 mm
Druckstock
267 x 306 mm
Physical Description
Farbholzschnitt von zwei Stöcken in Schwarz (Zeichnungsstock) über Grün, Hell- und Dunkelblau (Farbstock) auf schwerem, handgeschöpftem Vergépapier
Inventory Number
65875
Object Number
65875 D
Acquisition
Acquired in 1948 as a donation from the heirs of the Carl Hagemann estate
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Work

With a dynamic unusual for Heckel, horses and men are struggling against a fierce wind. The trees bend in the gusts and even the woodcut’s shape seems to stretch in the direction of the storm. Applied to the printing block with a sponge, the colours lend the sheet a downright painterly quality. The artist may have executed this woodcut in conjunction with his summer stay on Hiddensee Island.

About the Acquisition

From 1900 onwards, the Frankfurt chemist and industrialist Carl Hagemann (1867‒1940) assembled one of the most important private collections of modern art. It included numerous paintings, drawings, watercolours and prints, especially by members of the artist group “Die Brücke”. After Carl Hagemann died in an accident during the Second World War, the then Städel director Ernst Holzinger arranged for Hagemann’s heirs to evacuate his collection with the museum’s collection. In gratitude, the family donated almost all of the works on paper to the Städel Museum in 1948. Further donations and permanent loans as well as purchases of paintings and watercolours from the Hagemann estate helped to compensate for the losses the museum had suffered in 1937 as part of the Nazi’s “Degenerate Art” campaign. Today, the Hagemann Collection forms the core of the Städel museum’s Expressionist collection.

Work Data

Basic Information

Title
White Horses (Horses in a Storm)
Artist
Period Produced
Object Type
Physical Description
Farbholzschnitt von zwei Stöcken in Schwarz (Zeichnungsstock) über Grün, Hell- und Dunkelblau (Farbstock) auf schwerem, handgeschöpftem Vergépapier
Material
Technique
Label at the Time of Manufacture
Signiert und datiert unten rechts, seitlich der Darstellung (mit Bleistift): Erich Heckel 12; bezeichnet unten links, seitlich der Darstellung: Handdruck
Captions Added Later
Verso bezeichnet unten links (mit Bleistift): 135.
Verso Stempel des Städelschen Kunstinstituts, Frankfurt am Main (Lugt 2356), mit zugehöriger Inventarnummer
Watermark
  • Nicht vorhanden
Work Catalogues
  • Dube H. 242 b 1 I (von IV)

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© Nachlass Erich Heckel, Hemmenhofen; VG Bild-Kunst, Bonn 2024
Acquisition
Acquired in 1948 as a donation from the heirs of the Carl Hagemann estate

Work Content

Motifs and References

Iconclass

Primary
Secondary
  • 25G3 trees
  • 26C winds
  • 26C3 storm
  • 46C13187 leading a horse by the reins; rider beside his horse

Research and Discussion

Provenance

Object History
Carl Hagemann (1867-1940), Frankfurt am Main
Nachlass Carl Hagemann, Frankfurt am Main, 1940
Schenkung der Erben an das Städelsche Kunstinstitut, Frankfurt am Main, 1948.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

25.04.2024