Two Girls, August Macke
August Macke
Two Girls
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August Macke

Two Girls, 1913


Dimensions
130.0 x 100.0 cm
Physical Description
Oil on canvas
Inventory Number
2011
Acquisition
Acquired in 1949 with means provided by the Carl Schaub-Stiftung and the Städelscher Museums-Verein e.V.
Status
Not on display

Texts

About the Work

Two girls in the evening hustle and bustle of a big city. Everything is in motion. Persons and objects dissolve into crystalline geometric forms. Figures appear double, coloured lines cut through the scene, cones of light glare between the buildings. Macke was impressed by the way the Italian Futurists had glorified speed and technology in their paintings. Yet he did not reduce his composition entirely to abstract forms. The girls contemplate the goings-on but do not merge with their surroundings.

About the Acquisition

The independent gentleman Carl Schaub (1851–1905), who lived in the Westend in Frankfurt, left his wealth of about one million marks to a foundation in 1905. The interest was to be used for the acquisition of art objects for the Städel. This was the largest amount of money left for art in Frankfurt since Johann Friedrich Städel’s bequest. Till today, predominantly graphic art works are being acquired with funds from the Carl Schaub Foundation.

Work Data

Basic Information

Title
Two Girls
Painter
Period Produced
School
Object Type
Physical Description
Oil on canvas
Material
Technique

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
CC BY-SA 4.0 Städel Museum, Frankfurt am Main
Acquisition
Acquired in 1949 with means provided by the Carl Schaub-Stiftung and the Städelscher Museums-Verein e.V.

Work Content

Motifs and References

Genre
Main Motif
Associated Source
  • Gebrüder Grimm: Schneeweißchen und Rosenrot

Iconclass

Primary
  • 31D13(+72) adolescent, young woman, maiden (+ two persons)
  • 31AA231 standing figure - AA - female human figure
  • 33A53 arm in arm (friends)
Secondary

Research and Discussion

Provenance

Object History
...
Galerie Rudolf Probst, Mannheim
verkauft an Carl Hagemann (1906-1940), Frankfurt, 1937
Nachlass Carl Hagemann, 1940
Depositum im Städel Museum, Frankfurt, 1941
verkauft an das Städelsche Kunstinstitut, Frankfurt am Main, Juni 1949.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

Conservation and Restoration

Art-technology findings and/or documentation regarding conservation and restoration are available for this work. If interested, please contact .

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Last update

22.10.2020