The Virgin Annunciate, Carlo Crivelli
Carlo Crivelli
The Virgin Annunciate
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Carlo Crivelli

The Virgin Annunciate, 1482


Dimensions
36.2 x 45.5 x 2 cm
height (centre)
60.2 cm
Physical Description
Poplar
Inventory Number
841A
Acquisition
Acquired in 1832
Status
On display, 2nd upper level, Old Masters, room 13

Texts

About the Work

The two immaculately preserved panels depict with great attention to detail the events leading to the Incarnation of Christ. Together with a Risen Christ (today in the Abegg-Foundation in Riggisberg), they originally served as the top sections of a four-part altarpiece which Crivelli painted in 1482 for a church in the town of Camerino, in the Italian region of Marche. The main panels of this polyptych, which was separated into its individual parts in the nineteenth century, showed the Madonna enthroned with the Child and Saints Peter and Dominic, as well as St Peter the Martyr and Venantius; the predella was decorated with further images of saints (today in Milan and Venice).

Video

Gastkommentar: Öffentliches Recht und Kunst
Was sieht ein Völkerrechtler in den Werken der Städel Sammlung? In diesem Gastkommentar eröffnet Armin von Bogdandy (Direktor am Max-Planck-Institut für ausländisches öffentliches Recht und Völkerrecht) seine individuelle Sichtweise auf die Kunstwerke im Städel Museum. Er schaut sich Daniel Richters „Horde“ (2007), Rainer Fettings „Erstes Mauerbild“ (1977) und Carlo Crivellis „Maria Annunziata“ (1482) an und erläutert u. a. die Ambivalenz des öffentlichen Rechts. Mehr Infos unter: https://www.staedelmuseum.de/de/programm/gastkommentar Die Werke in der Digitalen Sammlung des Städel Museums: Daniel Richter, Horde (2007) https://sammlung.staedelmuseum.de/de/werk/horde Rainer Fetting, Erstes Mauerbild (1977) https://sammlung.staedelmuseum.de/de/werk/erstes-mauerbild Carlo Crivelli, Maria Annunziata (1482) https://sammlung.staedelmuseum.de/de/werk/maria-annunziata

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Last update

15.05.2026