About the Work
This unusual combination of three Passion scenes in one painting invites the viewer to let his eye roam as he reflects on Christ’s suffering and meditates on the events that brought about salvation. Remarkably, the painting is divided stylistically into two parts: the foreground and middle ground correspond to mid-fifteenth-century representations of the subject in the manner of the Karlsruhe Passion, while the background resembles the Upper Rhenish painting style of around 1510/20. This panel was probably intended to complement – or imitate – existing older works.