Self-portrait with Keys, Ottilie W. Roederstein
Ottilie W. Roederstein
Self-portrait with Keys
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Ottilie W. Roederstein

Self-portrait with Keys, 1936


Dimensions
105.3 x 74.6 cm
Physical Description
Oil on canvas
Inventory Number
2035
Acquisition
Acquired in 1952 as a bequest from Elisabeth H. Winterhalter
Status
Not on display

Texts

About the Work

Already at a very early stage, Roederstein was widely acclaimed as a portrait painter, whereby she also executed a variety of self-portraits. These reflect her preoccupation with her own self and her role as a female artist in the early twentieth century. In one of her last self-portraits, she once again emphasises her self-confidence and demonstrates her autonomous lifestyle. Dressed in masculine garments, she confidently stands face-to-face with the viewer. Like a lady of the house, she holds keys in her hand, although this may also be interpreted as the conclusion of her life’s work.

Work Data

Basic Information

Title
Self-portrait with Keys
Painter
Production Place
Period Produced
School
Object Type
Physical Description
Oil on canvas
Material
Technique
Label at the Time of Manufacture
Signed and dated bottom right: OWR 1936
Work Catalogues
  • Rök 1999, WVZ Nr. 1724
  • Jughenn, WVZ Nr. 1935-36

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1952 as a bequest from Elisabeth H. Winterhalter

Work Content

Iconclass

Primary
Secondary

Research and Discussion

Provenance

Object History
Nachlass Ottilie W. Roederstein (1859-1937), Hofheim, 1937
Elisabeth H. Winterhalter (1856-1952), Hofheim
Vermächtnis an das Städelsche Kunstinstitut, Frankfurt am Main, 1952.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

25.04.2024