Self-Portrait with Folded Arms, Ottilie W. Roederstein
Ottilie W. Roederstein
Self-Portrait with Folded Arms
DE
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Ottilie W. Roederstein

Self-Portrait with Folded Arms, 1926


Dimensions
55.1 x 46.0 cm
Physical Description
Oil on canvas
Inventory Number
SG 459
Acquisition
Acquired with means provided by the Frankfurter Künstlerhilfe
Status
On display, 1st upper level, Modern Art

Texts

About the Work

The ‘master painter’ – as she was called during her lifetime – presents herself in a smock. Her gaze is piercing; her arms are crossed in front of her chest. For this likeness, the portraitist restricted herself to a palette of sober greys. Commissions received early on in her career made Roederstein financially independent from her parents. From 1909 onwards she lived in the Taunus together with her partner, Elisabeth Winterhalter, Germany’s first female surgeon. Roederstein’s self-portrait celebrates competitiveness, maturity and wisdom.

About the Acquisition

The Frankfurter Künstlerhilfe (Frankfurt Artists' Aid) was founded in 1922 as a private welfare organisation for artists in need. Shortly afterwards the city also contributed to the aid programme, and the aims of the organisation were extended at the same time. The artistic service was intended to be of great cultural assistance to the city in that it would also enable well-to-do artists like Max Beckmann to receive support, which would then strengthen their ties to Frankfurt. The support of the artists was achieved by purchasing works for the city's museums or by commissioning works from the artists.

Work Data

Basic Information

Title
Self-Portrait with Folded Arms
Painter
Period Produced
School
Object Type
Physical Description
Oil on canvas
Material
Technique
Label at the Time of Manufacture
Bezeichnet oben rechts: O W R (darunter übermalt: 1926 IV)

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
CC BY-SA 4.0 Städel Museum, Frankfurt am Main
Acquisition
Acquired with means provided by the Frankfurter Künstlerhilfe

Work Content

Motifs and References

Iconclass

Primary

Research and Discussion

Provenance

Object History
Ottilie Roederstein, Hofheim
Verkauf an die Stadt Frankfurt am Main, 1929 (Überweisung der Künstlerförderung).

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

14.10.2020