Reading Girl, Auguste Renoir
Auguste Renoir
Reading Girl
DE
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Auguste Renoir

Reading Girl, 1880


Dimensions
57.0 x 47.5 cm
Physical Description
Oil on canvas
Inventory Number
SG 177
Acquisition
Acquired in 1910
Status
On display, 1st upper level, Modern Art, room 4

Texts

About the Work

Renoir, like all Impressionists, was interested in motifs from everyday life. This way he could show his models in private moments: by concentrating on the book, the young lady makes eye contact impossible. This draws the viewer’s attention to the painting technique. Beyond the sculpted face, the painting is sketchy in its colour application. Above all, the background with its loosely placed brushstrokes and the dynamically flecked bouquet of flowers identify Renoir as an artist in the midst of Impressionism.

Work Data

Basic Information

Title
Reading Girl
Painter
Period Produced
School
Object Type
Physical Description
Oil on canvas
Material
Technique
Label at the Time of Manufacture
Signiert unten links: Renoir

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1910

Work Content

Motifs and References

Iconclass

Primary
  • 31D13 adolescent, young woman, maiden
  • 49N reading
  • 49MM32 book - MM - book open
Secondary

Research and Discussion

Provenance

Object History
Privatsammlung, Paris
Verst. Hotel Drouot, Paris an Paul Durand-Ruel, Paris, 22. März 1898 (Los-Nr. 6)
Verkauf an die Stadt Frankfurt am Main, 1910.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Conservation and Restoration

Art-technology findings and/or documentation regarding conservation and restoration are available for this work. If interested, please contact .

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Last update

26.01.2023