Portrait of Elizabeth Stuart (The Winter Queen), Michiel van Miereveld;  and workshop
Michiel van Miereveld
Portrait of Elizabeth Stuart (The Winter Queen)
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Michiel van Miereveld and workshop

Portrait of Elizabeth Stuart (The Winter Queen), ca. 1623 – ca. 1629


Dimensions
68.3 x 52.3 cm
Physical Description
oil on oak wood
Inventory Number
2560
Acquisition
Acquired in 2021 with means provided by Ulla Grund and the Fontana-Stiftung, property of Städelscher Museums-Verein
Status
On display, 2nd upper level, Old Masters, room 6

Work Data

Basic Information

Title
Portrait of Elizabeth Stuart (The Winter Queen)
Painter
Period Produced
Object Type
Physical Description
oil on oak wood
Material
Technique

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main, Eigentum des Städelschen Museums-Vereins e.V.
Picture Copyright
Public Domain
Acquisition
Acquired in 2021 with means provided by Ulla Grund and the Fontana-Stiftung, property of Städelscher Museums-Verein

Work Content

Motifs and References

Genre
Main Motif
Persons Shown

Iconclass

Primary
Secondary

Research and Discussion

Provenance

Object History
Wilhelmina Maria von Weinberg, geb. Huygens (1872-1935), Amsterdam/Frankfurt
Nachlass Wilhelmina Maria von Weinberg, 1935
Verbleib in Familienbesitz bis 1918
aus dem Kunsthandel erworben durch den Städelschen Museums-Verein e.V., Frankfurt am Main, 2021.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

25.04.2024