Komposition Cotem, Carl Buchheister
Carl Buchheister
Komposition Cotem
DE
Back to top

Carl Buchheister

Komposition Cotem, 1958


Blatt
559 x 382 mm
Physical Description
Pencil, pen and brush in black ink on wove paper
Inventory Number
17102
Object Number
17102 Z
Acquisition
Acquired in 2011 as a gift from Margarethe and Klaus Posselt
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Work

World War II led to a break in Carl Buchheister’s artistic work. Whereas he had previously devoted himself to geometric compositions, from 1949 onwards his works were dominated by unbounded forms and open, gestural expression. To the artist’s mind, both mirrored the idea of freedom. In this drawing, he filled the surface with delicate pencil structures. Fine loops and brief dashes glide across the sheet, encircling the white of the paper. Thin pencil lines and wide strokes of ink anchor these individual formal configurations, giving stability to what would otherwise be an orderless composition.

Work Data

Basic Information

Title
Komposition Cotem (Original Title)
Title Translation
Composition Cotem
Draughtsman
Period Produced
Object Type
Physical Description
Pencil, pen and brush in black ink on wove paper
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Verso signiert, datiert und bezeichnet unten mittig (mit Bleistift): Carl Buchheister / Hannover, Weidetorstr 49 / Komposition Cotem 1958
Verso unten rechts bezeichnet (mit Bleistift): 38 x 56 // KF/10035
Verso oben rechts bezeichnet (mit blauem Fabstift): 2
Verso mittig bezeichnet (mit Bleistift): Oben
Verso bezeichnet (mit rotem Farbstift): N° 512 Cordier-Francfort
Watermark
  • LAVIS // J PERRIGOT ARCHES
Work Catalogues
  • Buchheister/Kemp 1984.450.1958:18

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© VG Bild-Kunst, Bonn 2024
Acquisition
Acquired in 2011 as a gift from Margarethe and Klaus Posselt

Work Content

Motifs and References

Genre

Iconclass

Primary
  • 0 Abstract, Non-representational Art

Research and Discussion

Provenance

Object History
Sammlung Margarethe und Klaus Posselt, Frankfurt/Bonn
Schenkung an das Städelsche Kunstinstitut, Frankfurt am Main, 2011.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

More to discover

Contact

Do you have any suggestions, questions or information about this work?

Last update

25.04.2024