Group of Four with Diagonal Profile, Oskar Schlemmer
Oskar Schlemmer
Group of Four with Diagonal Profile
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Oskar Schlemmer

Group of Four with Diagonal Profile, 1942


Blatt
max. 527 x 312 mm
Physical Description
Oil over pencil on oil paper, perforations in the corners
Inventory Number
17912
Object Number
17912 Z
Acquisition
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Work

In his late years, Schlemmer headed a laboratory for lacquer technology at the Kurt Herbert lacquer factory in Wuppertal — an activity involving a lot of experimentation with painting technique. It was also a phase in which the artist devoted himself more to painting again in general. The smooth yellow oil paper had been his preferred image carrier since 1935; it enabled him to spread the areas still damp with a brush or a kind of doctor blade. In the diagonal head, that process brought about the fine parallel lines that combine with the remaining hatched application of the paint to create a vibrant overall effect.

About the Acquisition

The Städel Museum has the photographer, psychotherapist, philanthropist, and long-time Frankfurt resident Ulrike Crespo (1950–2019) to thank for more than ninety works ranging from classical modernism to American pop art. The paintings, drawings, and prints by Wassily Kandinsky, Otto Dix, Oskar Schlemmer, Max Ernst, Jean Dubuffet, Cy Twombly, and others originally belonged to the holdings of her grandfather, the Darmstadt-based industrialist Karl Ströher (1890–1977), who amassed an extensive art collection after World War II.

Work Data

Basic Information

Title
Group of Four with Diagonal Profile
Draughtsman
Period Produced
Object Type
Physical Description
Oil over pencil on oil paper, perforations in the corners
Material
Technique
Label at the Time of Manufacture
Datiert unten rechts (mit Bleistift?): 1942
Watermark
  • Nicht vorhanden
Work Catalogues
  • von Maur G 505
  • Hildebrandt 387

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection

Work Content

Motifs and References

Iconclass

Primary
Secondary
  • 31B62311 lips pressed together as for a kiss
Associative

Research and Discussion

Provenance

Object History
...
Galerie Großhennig, Düsseldorf
verkauft an Karl Ströher (1890-1977), Darmstadt, 1957
Nachlass Karl Ströher, 1977
an seine Enkelin Ulrike Crespo (1950-2019), Frankfurt am Main
Vermächtnis an das Städelsche Kunstinstitut, Frankfurt am Main, 2019.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

07.12.2022