Girls on the Railway Crossover in the Evening, August Macke
August Macke
Girls on the Railway Crossover in the Evening
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August Macke

Girls on the Railway Crossover in the Evening, 1913

214 x 280 mm
261 x 333 mm
Physical Description
Black chalk on linen-structured paper, mounted on cardboard
Inventory Number
Object Number
16100 Z
Can be presented in the study room of the Graphische Sammlung (special opening hours)


About the Work

This study is closely related to the painting "Two Girls" (Städel Museum, Inv. Nr. 2011). Both depict an urban setting with two young girls at the centre. In the drawing, Macke virtually locked these surroundings into a web of diagonal zig-zag hatchings, comb-like strokes and intersecting arcs and sweeps. The strongly rhythmized lines translate the impulses of motion, light effects and noises of the big city into an abstract scaffolding and lend the drawing a dynamic effect. In the painting, on the other hand, these lines have evolved into crystalline geometric forms that envelop the two figures. In both mediums, however, Macke combined the representational with the abstract, thus finding his way to his own characteristic brand of “realism”.

About the Acquisition

From 1900 onwards, the Frankfurt chemist and industrialist Carl Hagemann (1867‒1940) assembled one of the most important private collections of modern art. It included numerous paintings, drawings, watercolours and prints, especially by members of the artist group “Die Brücke”. After Carl Hagemann died in an accident during the Second World War, the then Städel director Ernst Holzinger arranged for Hagemann’s heirs to evacuate his collection with the museum’s collection. In gratitude, the family donated almost all of the works on paper to the Städel Museum in 1948. Further donations and permanent loans as well as purchases of paintings and watercolours from the Hagemann estate helped to compensate for the losses the museum had suffered in 1937 as part of the Nazi’s “Degenerate Art” campaign. Today, the Hagemann Collection forms the core of the Städel museum’s Expressionist collection.

Work Data

Basic Information

Girls on the Railway Crossover in the Evening
Period Produced
Object Type
Physical Description
Black chalk on linen-structured paper, mounted on cardboard
Geographic Reference
Production Reason
Label at the Time of Manufacture
Datiert unten rechts (mit Bleistift): 1913
Captions Added Later
Bezeichnet auf dem Montierungsbogen unten links (mit Bleistift): August Macke; unten rechts (mit Bleistift): Mädchen am Abend auf der Bahnüberführung 1913 / 1053.
Verso bezeichnet auf dem Montierungsbogen (mit Feder in blauer Tinte): August Macke / Zeichnung zu dem Bild: Mädchen am Abend auf der Bahnüberführung 1913
Verso auf dem Montierungsbogen Nachlassstempel August Macke, Bonn (Lugt 1775b)
Verso unten links Stempel des Städelschen Kunstinstituts, Frankfurt am Main (Lugt 2356)
  • Nicht vorhanden
Work Catalogues
  • Heiderich 1993.414.1212

Property and Acquisition

Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain

Work Content

Motifs and References



  • 31D13 adolescent, young woman, maiden
  • 31A2545 gripping someone by the shoulder
  • 31AA2422 head turned to the right - AA - female human figure

Research and Discussion


Object History
Nachlass August Macke, 1914
Rudolf Probst(1890-1968), Mannheim
verkauft an Carl Hagemann (1867-1940), Frankfurt, 1938
Nachlass Carl Hagemann, 1940
Schenkung der Erben an das Städelsche Kunstinstitut, Frankfurt am Main, 1948.


Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

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