Eine neuentdeckte Malerei einer überweißten Kapelle in Santa Croce zu Florenz, nach Vasari angeblich von Giotto, Johann Anton Ramboux, after Giotto di Bondone;   ?
Johann Anton Ramboux, Giotto di Bondone
Eine neuentdeckte Malerei einer überweißten Kapelle in Santa Croce zu Florenz, nach Vasari angeblich von Giotto
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Johann Anton Ramboux
afterGiotto di Bondone ?

Eine neuentdeckte Malerei einer überweißten Kapelle in Santa Croce zu Florenz, nach Vasari angeblich von Giotto, 1818 – 1843


Blatt
196 x 272 mm
Inventory Number
Bib. 2472
Object Number
Bib. 2472 IV 16A
Acquisition
Acquired in 1868
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
Eine neuentdeckte Malerei einer überweißten Kapelle in Santa Croce zu Florenz, nach Vasari angeblich von Giotto
Draughtsman
Inventor
Adhesive tape
Sammlung von Umrissen und Durchzeichnungen, Band 4
Part Number / Total
1 / 3
Production Place
Period Produced
Object Type
Material
Technique
Geographic Reference
Production Reason
Captions Added Later
Bezeichnet oben links (mit Bleistift): 776 // 618
Watermark
  • Nicht geprüft

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1868

Work Content

Motifs and References

Genre
Persons Shown
Illustrated Passage
  • Bibel, Neues Testament, Matthäus 14,8-11
  • Bibel, Neues Testament, Markus 6, 28

Iconclass

Primary
  • 73C1337 the head of John the Baptist brought to or lying on the banqueting table

Research and Discussion

Provenance

Object History
Johann Anton Ramboux (1790-1866)
Nachlass Johann Anton Ramboux, 1866
Versteigerung durch J.M. Heberle (H. Lempertz), Köln, 23.5.1867 an Ferdinand Prestel, Frankfurt am Main, 1867
verkauft an das Städelsche Kunstinstitut, Frankfurt am Main, 1868.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

13.03.2024