Wie Placidus von Subiaco in den See fällt, aus der unteren Kirche von San Benedetto, Johann Anton Ramboux
Johann Anton Ramboux
Wie Placidus von Subiaco in den See fällt, aus der unteren Kirche von San Benedetto
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Johann Anton Ramboux

Wie Placidus von Subiaco in den See fällt, aus der unteren Kirche von San Benedetto, 1818 – 1843


Blatt
194 x 268 mm
Inventory Number
Bib. 2472
Acquisition
Acquired in 1868
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
Wie Placidus von Subiaco in den See fällt, aus der unteren Kirche von San Benedetto
Draughtsman
Page
Klebebände, Band 4, Seite 101
Part Number / Total
4 / 4
Production Place
Period Produced
Object Type
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Bezeichnet (mit Bleistift): [mit den Inschriften des Freskos]
Captions Added Later
Bezeichnet oben rechts (mit Bleistift): 575 581[durchgestrichen] / 1.757
Watermark
  • Nicht geprüft

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1868

Work Content

Iconclass

Primary
  • 11H(BENEDICT)52 the rescue of St. Placidus, who had fallen into a lake: St. Benedict, learning of the accident in a vision, sends St. Maurus, who walks on the water and pulls St. Placidus out by the hair

Research and Discussion

Provenance

Object History
Johann Anton Ramboux (1790-1866)
Nachlass Johann Anton Ramboux, 1866
Versteigerung durch J.M. Heberle (H. Lempertz), Köln, 23.5.1867 an Ferdinand Prestel, Frankfurt am Main, 1867
verkauft an das Städelsche Kunstinstitut, Frankfurt am Main, 1868.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

15.05.2023