Wappen der Stadt und Republik San Marino etwa a. d. VIII Jahrhdt., Johann Anton Ramboux, after Italian, 8th century;   ?
Johann Anton Ramboux, Italian, 8th century
Wappen der Stadt und Republik San Marino etwa a. d. VIII Jahrhdt.
Back to top
This work belongs to a main work

Johann Anton Ramboux
afterItalian, 8th century ?

Wappen der Stadt und Republik San Marino etwa a. d. VIII Jahrhdt., 1818 – 1843

196 x 271 mm
Inventory Number
Bib. 2472
Object Number
Bib. 2472 II 11C
Acquired in 1868
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Wappen der Stadt und Republik San Marino etwa a. d. VIII Jahrhdt.
  • after Italian, 8th century ?
Klebebände, Band 2, Seite 11
Part Number / Total
3 / 3
Production Place
Period Produced
Object Type
Geographic Reference
Production Reason
Label at the Time of Manufacture
Bezeichnet oben mittig (mit der Feder in Braun): ARMA DI SAMARINO; oben rechts (mit Bleistift): Sanmarino; in der Darstellung im Schriftband des rechten Wappens (mit der Feder in Braun): Uberta
Captions Added Later
Bezeichnet oben rechts (mit Bleistift): 329
  • Nicht geprüft

Property and Acquisition

Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquired in 1868

Work Content

Motifs and References



  • 44A1 coat of arms (as symbol of the state, etc.)
  • 61E(SAN MARINO) names of cities and villages (SAN MARINO)

Research and Discussion


Object History
Johann Anton Ramboux (1790-1866)
Nachlass Johann Anton Ramboux, 1866
Versteigerung durch J.M. Heberle (H. Lempertz), Köln, 23.5.1867 an Ferdinand Prestel, Frankfurt am Main, 1867
verkauft an das Städelsche Kunstinstitut, Frankfurt am Main, 1868.


Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

Similar works

  • All
  • Motif
  • Picture Elements
Show connecting keywords Hide connecting keywords

Tap on any work to display common keywords.

Hover over a work to display connecting keywords.

More to discover


Do you have any suggestions, questions or information about this work?

Last update