The Risen Christ, Albrecht Dürer;  workshop, Hans Baldung Grien;   ?
Albrecht Dürer, Hans Baldung Grien
The Risen Christ
DE
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Realisation

Albrecht Dürer, Hans Schäufelein: Ober St. Veiter Altar, Mischtechnik auf Tannenholz, ca. 223 x 300 cm. Prot. Nr. L-58, Erzbischöfliches Dom- und Diözesanmuseum, Wien

Albrecht Dürer workshop
Hans Baldung Grien ?

The Risen Christ, ca. 1504 – 1507


Blatt
474 x 146 mm
Inventory Number
690
Object Number
690 Z
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
The Risen Christ
Draughtsman
Contractor, employer
Period Produced
School
Object Type
Material
Technique
Geographic Reference
Production Reason
Captions Added Later
Bezeichnet unten rechts (von fremder Hand, in Weiß): 51
Verso Stempel des Städelschen Kunstinstituts, Frankfurt am Main (Lugt 2356), mit zugehöriger Inventarnummer
Watermark
  • Nicht geprüft
Work Catalogues
  • Strauss II.876.1505/19
  • Panofsky 1948.II.61.480
  • Winkler II.50.321

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain

Work Content

Motifs and References

Genre
Persons Shown
Illustrated Passage
  • Bibel, Neues Testament

Iconclass

Primary
  • 73E15 the risen Christ (with wounds, but without crown of thorns), sometimes holding the cross
Secondary

Research and Discussion

Research

Historic Attribution

Provenance

Object History
Johann Niklaus Grooth (1721/1723–1797), Süddeutschland und Schweiz
Unbekannter Kunsthändler, Mainz
Johann Friedrich Städel (1728–1816), Frankfurt am Main
Nachlass Johann Friedrich Städel, 1816.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

25.04.2024