As if by chance, freshly gathered fruit and vegetables lie at the edge of a Baroque stairway leading to extensive parkland. In their midst is a valuable blue-and-white Chinese porcelain pitcher. Extravagant wealth was an important element of the European aristocracy’s ideal of life. Here, it is expressed in the type of painting known as ‘sottobosco’ (forest still life) also very popular among middle-class collectors of the seventeenth century. Like his father, Jan Davidsz., before him, Cornelis de Heem was one of the leading still-life painters of his day.
Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.
The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.
Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:
The successive ownership records are separated from each other by a semicolon.
Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.
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