Skizzenbuch, Philipp Röth
Philipp Röth
Skizzenbuch
DE
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Philipp Röth

Skizzenbuch, 1862


Buchblock mit Einband
185 x 128 x 9 mm
Buchblock ohne Einband
178 x 117 x 5 mm
Einleger, Montierung
87 x 130.5 mm
Einleger
84 x 126 mm
Physical Description
Pencil on wove paper, in paperback, covered with speckled plaster paper, with pen loops and white, blank label on spine Inlay: watercolours on wove paper, on cardboard
Inventory Number
SG 2116
Object Number
SG 2116 Z
Acquisition
Acquired in 1938 with the Hans Thoma Collection of Otto Eiser-Eduard Kücher
Status
Not on display

Texts

About the Work

From July to August 1862, Philipp Röth travelled from Freiburg to Bernau in the Black Forest. He followed Hans Thoma, his friend since their studies in Karlsruhe and to whom he later dedicated his sketchbook full of drawings. He captured the artist friend himself on sheet 25 recto and shows him bent over a sketchbook in concentration. Thoma, who was born in Bernau, probably accompanied Röth on his hikes through the Black Forest and especially in the area around his hometown. This also explains the almost identical view of the landscape that Röth and Thoma captured at the sawmill near Bernau (see here sheet 10r and Inv. SG 2111, sheet 45v). The male figures depicted on sheet 8 verso and sheet 26 recto could also be read as indications of Thoma’s company. – Röth usually drew mountainous and forest landscapes with a pencil, often turning the booklet 90 degrees to the right, and delimiting individual compositions that do not fill the entire sheet with framing lines. A later realisation in oil may already have been envisaged for these landscapes. Röth was especially interested in untouched nature with its streams, tall fir trees, rock formations and mountain landscapes; less often, he sketched the (regional) architecture, while figures remain mostly staffage.

The sketchbook is accompanied by a single drawing showing the Röth’s house in Bernau, which he gave to his sister Agathe Thoma as a gift.

For a full sketchbook description, please see “Research”.

Work Data

Basic Information

Title
Skizzenbuch
Draughtsman
Period Produced
Object Type
Physical Description
Pencil on wove paper, in paperback, covered with speckled plaster paper, with pen loops and white, blank label on spine Inlay: watercolours on wove paper, on cardboard
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Auf dem vorderen Spiegel oben mittig bezeichnet: Ph. Röth. / Für meinen Freund Hans Thoma bestim̅t; verschiedene Notizen und Bezeichnungen des Künstlers im Buch
Captions Added Later
Auf dem vorderen Spiegel unten links Stempel der Städtischen Galerie, Frankfurt am Main (Lugt 2371c), mit zugehöriger Inventarnummer
Watermark
  • Nicht vorhanden
Work Catalogues
  • Grovermann Skizzenbuch X
  • Grovermann 161 (Einleger)

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1938 with the Hans Thoma Collection of Otto Eiser-Eduard Kücher

Research and Discussion

Research

Description / Content
Download PDF

Provenance

Object History
...
Otto Eiser (1834-1898) / Eduard Küchler (1840-1919, Vater von Sofie Bergman geb. Küchler)
an Sofie Bergman-Küchler (1878-1960), Frankfurt am Main
Verkauf und Schenkung als "Hans Thoma-Sammlung von Otto Eiser-Eduard Küchler" an die Stadt Frankfurt am Main, 1938.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Conservation and Restoration

Art-technology findings and/or documentation regarding conservation and restoration are available for this work. If interested, please contact .

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Last update

19.02.2024