Salvator Mundi, Master of the Darmstadt Passion
Master of the Darmstadt Passion
Salvator Mundi
DE
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Master of the Darmstadt Passion

Salvator Mundi, ca. 1460


Malfläche
70.2 x 51.4 cm
Bildträger
71.6 x 52.6 x 1.8 cm
Physical Description
Mixed technique on fir
Inventory Number
2060
Acquisition
Acquired in 1957
Status
On display, 2nd upper level, Old Masters

Work Data

Basic Information

Title
Salvator Mundi
Painter
Period Produced
School
Object Type
Physical Description
Mixed technique on fir
Material
Technique
Label at the Time of Manufacture
Buchstaben in den oberen Ecken: A Ω
Buchstaben im Kreuznimbus von links nach rechts: P A X

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© Städel Museum, Frankfurt am Main, Foto: U. Edelmann
Acquisition
Acquired in 1957

Work Content

Motifs and References

Genre
Main Motif
Persons Shown
Associated Source
  • Bibel, Neues Testament, Offenbarung 1,8

Iconclass

Primary
  • 11D324 'Salvator Mundi', making a blessing gesture; an orb in his hand or at his feet
Secondary
  • 22C311 nimbus, halo ~ radiance emanating from persons or things
  • 11D111 alpha and omega, sometimes with wreath, triangle, instruments of the Passion, etc. ~ symbol of Christ
  • 41D2121 coat
  • 41D2653 border, ribbon, braid
  • 25D11 precious and semiprecious stones
  • 25H2322 sea
  • 25I12 prospect of city, town panorama, silhouette of city

Research and Discussion

Provenance

Object History
Vermutlich Auftrag für die Prämonstratenserinnen-Klosterkirche, Altenberg an der Lahn [lt. rückseitiger Inschrift]
fürstliche Sammlung Solms-Braunfels, seit mindestens 1808
...
Lucie Katharine Antonie Dyckerhoff, Wiesbaden (1874-19??)
Nachlass Lucie Dyckerhoff
Verkauf durch Hans J. von Goetz, Wiesbaden an das Städelsche Kunstinstitut, Frankfurt am Main, März 1957

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

02.07.2020