Reclining semi-nude facing left, Gustav Klimt
Gustav Klimt
Reclining semi-nude facing left
DE
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Gustav Klimt

Reclining semi-nude facing left, 1914 – 1915


Blatt
373 x 569 mm
Physical Description
Pencil and white chalk on Japanese paper
Inventory Number
17900
Object Number
17900 Z
Acquisition
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Work

Her eyes closed, a faint smile on her lips, her pose and body language relaxed and uninhibited—the model Klimt captured with dynamically varied pencil lines and a bit of white chalk seems completely at one with herself. It is a sensitive representation of an intimate act, but not at the cost of the directness so characteristic of Klimt. He had been studying the taboo topic of feminine autoeroticism in numerous drawings of this kind since 1912.

About the Acquisition

The Städel Museum has the photographer, psychotherapist, philanthropist, and long-time Frankfurt resident Ulrike Crespo (1950–2019) to thank for more than ninety works ranging from classical modernism to American pop art. The paintings, drawings, and prints by Wassily Kandinsky, Otto Dix, Oskar Schlemmer, Max Ernst, Jean Dubuffet, Cy Twombly, and others originally belonged to the holdings of her grandfather, the Darmstadt-based industrialist Karl Ströher (1890–1977), who amassed an extensive art collection after World War II.

Work Data

Basic Information

Title
Reclining semi-nude facing left
Draughtsman
Period Produced
Object Type
Physical Description
Pencil and white chalk on Japanese paper
Material
Technique
Geographic Reference
Label at the Time of Manufacture
Signiert unten rechts (möglicherweise von fremder Hand, mit Bleistift): GVSTAV / KLIMT
Captions Added Later
Verso nummeriert und bezeichnet entlang der rechten Blattkante unten (mit Bleistift): 50[?]72 / Jo [?]/50.5
Watermark
  • Nicht vorhanden
Work Catalogues
  • Strobl 2400a

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection

Work Content

Motifs and References

Genre

Iconclass

Primary
  • 31A14 human figure of ideal proportions, e.g. academic nude
  • 31AA the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure
  • 31D15 adult woman
  • 31AA236 lying figure - AA - female human figure
Secondary

Research and Discussion

Provenance

Object History
...
Walter Andreas Hofer (1893-1971), München
Verst. Kunstkabinett R. N. Ketterer, Stuttgart, an Eberhard W. Kornfeld, Bern, 25.-27. November 1952
Verst. Gutekunst und Klipstein, Bern, an Karl Ströher (1890-1977), Darmstadt, 24. November 1955 (Los-Nr. 36)
Nachlass Karl Ströher, 1977
an seine Enkelin Ulrike Crespo (1950-2019), Frankfurt am Main
Vermächtnis an das Städelsche Kunstinstitut, Frankfurt am Main, 2019.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

19.02.2024