Portrait of a Roman Woman on a Flat Roof in Rome, 1891

Dimensions: 182.0 x 182.0 cm

Physical Description: Oil on canvas

Inventory Number: 1806

Acquisition: Acquired in 1926 as a gift from Walther Rathenau’s mother in memory of her son

Status: On display, 1st upper level, Modern Art, room 6

Texts

About the Work

“A kind of portrait in a late evening mood” – is how Klinger referred to the painting he had executed on the terrace of his studio in Rome. Suspended in the vastness of the sky, the woman makes an oddly severe impression. While the figure and background form a unified whole, the latter is more a backdrop than a real landscape. The studies Klinger carried out in the open air represent symbolic spaces reflecting a state of mind. His works later found an echo in the paintings of the Surrealists.

About the Acquisition

At the request of Mathilde Rathenau (1845-1926), a native of Frankfurt, a number of paintings were presented to the Städel in 1926 in memory of her son Walther Rathenau (1867-1922). Walther Rathenau, an industrialist and one of the co-founders of the German Democratic Party, was appointed foreign minister in January 1922. In June of that year he was assassinated in Berlin by the Organisation Consul, whose aim was to fight the Weimar Constitution.

Work Data

Basic Information

Title: Portrait of a Roman Woman on a Flat Roof in Rome

Painter

Max Klinger

Period Produced

19th century

School

symbolism

Object Type

painting (artwork)

Physical Description: Oil on canvas

Material

canvas

Technique

Label at the Time of Manufacture: Monogrammiert und datiert unten links: MK 91 (MK ligiert)

Property and Acquisition

Institution

Städel Museum

Administration

Modern Art 1800–1945

Collection

Städelsches Kunstinstitut

Creditline: Städel Museum, Frankfurt am Main

Picture Copyright: Public Domain

Acquisition: Acquired in 1926 as a gift from Walther Rathenau’s mother in memory of her son

Work Content

Motifs and References

Genre

portrait

Main Motif

Iconclass

Primary

61BB111(+55) anonymous historical person portrayed alone - BB - woman (+ full length portrait)
31D15 adult woman
31AA235(+3) sitting figure - AA - female human figure (+ sideview, profile)
41A36 roof (of house or building)
61E(ROMA) names of cities and villages (ROMA)

Secondary

41A721 chair
25I12 prospect of city, town panorama, silhouette of city

Research and Discussion

Provenance

Object History: ...

Ernst Seeger, Berlin

Versteigerung durch das Auktionshaus Lepke, Berlin, 5. Dezember 1899 (Los-Nr. 28)

...

Walther Rathenau (1867-1922), Berlin

Nachlass Walther Rathenau, Berlin, 1922

Vermächtnis Mathilde Rathenau-Nachmann (1845-1926), Berlin zum Andenken an ihren Sohn Walther Rathenau (1867-1922) an das Städelsche Kunstinstitut, Frankfurt am Main, 1926.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known: