This likeness of his favourite model, "Therese Karl", is one of the few portraits the artist ever painted. Uhde was generally known for his religious and genre-like scenes. Therese was a dancer at the Royal Court Theatre Ballet in Munich and probably also Uhde's mistress. In spite of the melancholy pose and black dress enlivened by delicate light reflexes falling through the airy white curtain, the young woman looks relaxed and anything but gloomy. Standing between Realism and Impressionism, Uhde masterfully captures the different textures, which lend the painting its lightness and transparency.
Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.
The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.
Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:
The successive ownership records are separated from each other by a semicolon.
Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.
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