Portait of Francesco Titio, style of Giovanni Battista Moroni
Giovanni Battista Moroni
Portait of Francesco Titio
DE
Back to top

style ofGiovanni Battista Moroni

Portait of Francesco Titio, 1561


Dimensions
110.8 x 93.2 cm
Physical Description
canvas, lined
Inventory Number
SG 881
Status
Not on display

Work Data

Basic Information

Title
Portait of Francesco Titio
Painter
Period Produced
Object Type
Physical Description
canvas, lined
Material
Technique
Label at the Time of Manufacture
Bezeichnet rechts unten: FRANCs TITI[.] / FA * VENE / M * D * LXI

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain

Work Content

Motifs and References

Genre
Main Motif
Persons Shown

Iconclass

Primary
Secondary

Research and Discussion

Provenance

Object History
...
Achille Fontaine-Flament (1826-1912), Lille
Verst. Galerie Georges Petit, Paris an Charles Sedelmeyer, Paris, 10. Juni 1904 (Los-Nr. 56)
Verst. Galerie Sedelmeyer, Paris, 3.-5. Juni 1907 (Los-Nr. 154)
...
erworben von Max von Goldschmidt-Rothschild (1843-1940), Frankfurt am Main, 1909
erworben durch die Stadt Frankfurt am Main, 11. November 1938
Rückgabeanspruch durch die Erben nach Max von Goldschmidt-Rothschild, 1946
Übereignung des Gemäldes 1949 (in Anerkennung seines Vermächtnisses vom 24. März 1926 und nach Vergleichsvereinbarung mit seinen Erben).

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

More to discover

Contact

Do you have any suggestions, questions or information about this work?

Last update

25.03.2024