Paysage Féerique, Jean Dubuffet
Jean Dubuffet
Paysage Féerique
DE
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Jean Dubuffet

Paysage Féerique, 1949


Dimensions
88.5 x 116.0 cm
Physical Description
Oil on canvas
Inventory Number
2542
Acquisition
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection
Status
Not on display

Texts

About the Work

'Fairy-Tale Landscape'—that is the title Jean Dubuffet gave the chaos incised in a thick, pastosely applied layer of paint. We can make out an entire village inhabited by sketchy stick figures. The landscape motif is present throughout the artist’s oeuvre. It served him as a field for experimentation in which he juxtaposed the painting surface and the figure, perspective and space. Dubuffet’s deliberately simplified, ‘naïve’ depictions are reminiscent of children’s drawings. For him they were a means of questioning painterly convention.

About the Acquisition

The Städel Museum has the photographer, psychotherapist, philanthropist, and long-time Frankfurt resident Ulrike Crespo (1950–2019) to thank for more than ninety works ranging from classical modernism to American pop art. The paintings, drawings, and prints by Wassily Kandinsky, Otto Dix, Oskar Schlemmer, Max Ernst, Jean Dubuffet, Cy Twombly, and others originally belonged to the holdings of her grandfather, the Darmstadt-based industrialist Karl Ströher (1890–1977), who amassed an extensive art collection after World War II.

Work Data

Basic Information

Title
Paysage Féerique (Original Title)
Title Translation
Fairy-Tale Landscape
Artist
Period Produced
Object Type
Physical Description
Oil on canvas
Material
Technique
Label at the Time of Manufacture
Bezeichnet oben rechts: à Jean Paulhan J. Dubuffet 49

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© VG Bild-Kunst, Bonn 2022
Acquisition
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection

Work Content

Motifs and References

Iconclass

Primary
  • 0 Abstract, Non-representational Art
  • 25H landscapes
  • 41A1 civic architecture; edifices; dwellings
  • 25G3 trees
  • 25I14 public road
  • 25H11 mountains
  • 46C161 automobile
Secondary
  • 49D3221 irregularly curved line
  • 49D34 quadrilateral (~ planimetry, geometry)
  • 49D36 circle (~ planimetry, geometry)
  • 3 Human Being, Man in General

Research and Discussion

Provenance

Object History
...
Karl Ströher (1890-1977), Darmstadt
Nachlass Karl Ströher, 1977
an seine Enkelin Ulrike Crespo (1950-2019), Frankfurt am Main
Vermächtnis an das Städelsche Kunstinstitut, Frankfurt am Main, 2019.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

07.12.2022