They are close together and yet solitary. Munch has portrayed the old fisherman and his daughter as disturbingly isolated. Nor do the figures establish eye contact with the viewer despite their placement at the front of the picture. Lost in thought and with a melancholy expression, they gaze into nothingness. The earnest face of the girl, framed by her light hair, looks if she has almost as much experience of life as her father with his weather-beaten features. The psychological penetration of the two figures gains a particular intensity from sectional character of the picture and its monochrome background.
The Frankfurt businessman Dr. Kurt Möllgaard and his wife, Marga, began collecting modern art in 1945. From 1964 on they donated parts of their collection to the Städelscher Museums-Verein. Kurt Möllgaard commented on his activities: "In doing this, we have intentionally continued a tradition which is also cultivated to a considerable extent by those citizens of Frankfurt who had to leave their homes after 1933." In 1987 Kurt Möllgaard founded the Kurt und Marga Möllgaard-Stiftung, which remains active to this day.
Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.
The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.
Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:
The successive ownership records are separated from each other by a semicolon.
Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.
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Art-technology findings and/or documentation regarding conservation and restoration are available for this work. If interested, please contact .