Nach einer Tafel im Chor von San Francesco zu Montefalco, Johann Anton Ramboux, after Antoniazzo Romano
Johann Anton Ramboux, Antoniazzo Romano
Nach einer Tafel im Chor von San Francesco zu Montefalco
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Reference

Antoniazzo Romano: Vinzenz von Saragossa mit Illuminata und Nicolaus de Tolentino. Complesso museale di San Francesco, Montefalco

Johann Anton Ramboux
afterAntoniazzo Romano

Nach einer Tafel im Chor von San Francesco zu Montefalco, 1818 – 1843


Blatt
202 x 286 mm
Inventory Number
Bib. 2472
Object Number
Bib. 2472 IV 111A
Acquisition
Acquired in 1868
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
Nach einer Tafel im Chor von San Francesco zu Montefalco
Draughtsman
Inventor
Adhesive tape
Sammlung von Umrissen und Durchzeichnungen, Band 4
Part Number / Total
1 / 2
Production Place
Period Produced
Object Type
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Bezeichnet in der Darstellung unter den jeweiligen Figuren (mit Bleistift): S: VINENTIVS // S: ILLUMINATA // S. NICOLAVS
Captions Added Later
Bezeichnet oben rechts (mit Bleistift): 212 / 984
Watermark
  • Nicht geprüft

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1868

Work Content

Iconclass

Primary
  • 11H(VINCENT) the deacon and martyr Vincent of Saragossa (or Valencia); possible attributes: book, bunch of grapes, dalmatic, gridiron (with spikes), millstone, raven, ship
  • 11HH(ILLUMINATA) female saints (ILLUMINATA)
  • 11H(NICHOLAS) the bishop Nicholas of Myra (or Bari); possible attributes: anchor, boat, three golden balls (on a book), three purses, three children in a tub, three maidens

Research and Discussion

Provenance

Object History
Johann Anton Ramboux (1790-1866)
Nachlass Johann Anton Ramboux, 1866
Versteigerung durch J.M. Heberle (H. Lempertz), Köln, 23.5.1867 an Ferdinand Prestel, Frankfurt am Main, 1867
verkauft an das Städelsche Kunstinstitut, Frankfurt am Main, 1868.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

19.02.2024