Lofoten Landscape with Lake, Ernst Wilhelm Nay
Ernst Wilhelm Nay
Lofoten Landscape with Lake
DE
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Ernst Wilhelm Nay

Lofoten Landscape with Lake, 1938


Blatt
485 x 628 mm
Physical Description
Watercolour on laid paper
Inventory Number
SG 3284
Object Number
SG 3284 Z
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Work

In both of Ernst Wilhelm Nay’s "Lofoten Pictures", the sky is wide open and the clouds look as if they are being hurtled along by the wind. The artist represented the natural elements as well as the figures in vibrant colour forms that join organically, sometimes even blending into one another. By these means, Nay sought to lend expression to the forces of nature and man. To convey the Lofoten Island inhabitants’ deep ties to nature, he employed the classical wet-on-wet technique that makes the watercolours fluid.

About the Acquisition

From 1900 onwards, the Frankfurt chemist and industrialist Carl Hagemann (1867‒1940) assembled one of the most important private collections of modern art. It included numerous paintings, drawings, watercolours and prints, especially by members of the artist group “Die Brücke”. After Carl Hagemann died in an accident during the Second World War, the then Städel director Ernst Holzinger arranged for Hagemann’s heirs to evacuate his collection with the museum’s collection. In gratitude, the family donated almost all of the works on paper to the Städel Museum in 1948. Further donations and permanent loans as well as purchases of paintings and watercolours from the Hagemann estate helped to compensate for the losses the museum had suffered in 1937 as part of the Nazi’s “Degenerate Art” campaign. Today, the Hagemann Collection forms the core of the Städel museum’s Expressionist collection.

Work Data

Basic Information

Title
Lofoten Landscape with Lake
Draughtsman
Period Produced
Object Type
Physical Description
Watercolour on laid paper
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Signiert und datiert unten rechts (mit Bleistift): EW Nay 38
Captions Added Later
Verso bezeichnet unten rechts (mit Bleistift): 1102.
Verso Stempel der Städtischen Galerie, Frankfurt am Main (Lugt 2371c), mit zugehöriger Inventarnummer
Watermark
  • unten: INGRES PMF / (ITALIA)
Work Catalogues
  • Claesges 2012.I.95.38-011

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© Elisabeth Nay-Scheibler, Köln / VG Bild-Kunst, Bonn 2024, Foto: U. Edelmann

Work Content

Motifs and References

Iconclass

Primary
  • 61D(LOFOTEN) geographical names of countries, regions, mountains, rivers, etc. (LOFOTEN) (LOFOTEN)
  • 25H214 lake

Research and Discussion

Provenance

Object History
Ernst Wilhelm Nay (1902-1968)
an Carl Hagemann (1867-1940), Frankfurt, 1938
Nachlass Carl Hagemann, 1940
erworben von der Städtischen Galerie, Frankfurt am Main, 1968.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

25.04.2024