Once located on the Parisian Place de la Sorbonne, the Café d’Harcourt was closed down in 1940. Parisian bohemians and ladies of easy virtue pass the time smoking and drinking. A young woman in a red dress buoyantly makes her way through their midst. Her conspicuous outfit belies the shy gaze with which she searchingly surveys the room. Yet nobody takes notice of her. In fact, there is no communication at all between the guests. Here, Evenepoel describes turn-of-the-century Paris as a jaded and decadent society.
At the request of Mathilde Rathenau (1845-1926), a native of Frankfurt, a number of paintings were presented to the Städel in 1926 in memory of her son Walther Rathenau (1867-1922). Walther Rathenau, an industrialist and one of the co-founders of the German Democratic Party, was appointed foreign minister in January 1922. In June of that year he was assassinated in Berlin by the Organisation Consul, whose aim was to fight the Weimar Constitution.
Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.
The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.
Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:
The successive ownership records are separated from each other by a semicolon.
Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.
If you have any questions or suggestions, please contact the museum at .
Art-technology findings and/or documentation regarding conservation and restoration are available for this work. If interested, please contact .