Head of a Woman, Karl Schmidt-Rottluff
Karl Schmidt-Rottluff
Head of a Woman
DE
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Karl Schmidt-Rottluff

Head of a Woman, 1933


Blatt
161 x 110 mm
Physical Description
Crayon (oil/wax crayon?) and brush and black ink on wove paper
Inventory Number
16094
Object Number
16094 Z
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Work

In 1933, Karl Schmidt-Rottluff enclosed this work with his Christmas wishes to the Frankfurt art collector Carl Hagemann (1867–1940). The small-scale – but nonetheless intense – drawing depicts a woman raising her hand in what could be read as a holiday greeting. The artist reduced his subject’s body to simple forms. Whereas he portrayed her face in detail, lending it plasticity with crayon hatching in different colours, he represented her back as a two-dimensional, monochrome-yellow surface. It is as if the figure was being lit from behind by the sunlight in such a way as to cast a shadow over her face.

About the Acquisition

From 1900 onwards, the Frankfurt chemist and industrialist Carl Hagemann (1867‒1940) assembled one of the most important private collections of modern art. It included numerous paintings, drawings, watercolours and prints, especially by members of the artist group “Die Brücke”. After Carl Hagemann died in an accident during the Second World War, the then Städel director Ernst Holzinger arranged for Hagemann’s heirs to evacuate his collection with the museum’s collection. In gratitude, the family donated almost all of the works on paper to the Städel Museum in 1948. Further donations and permanent loans as well as purchases of paintings and watercolours from the Hagemann estate helped to compensate for the losses the museum had suffered in 1937 as part of the Nazi’s “Degenerate Art” campaign. Today, the Hagemann Collection forms the core of the Städel museum’s Expressionist collection.

Work Data

Basic Information

Title
Head of a Woman
Draughtsman
Period Produced
Object Type
Physical Description
Crayon (oil/wax crayon?) and brush and black ink on wove paper
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Monogrammiert oben links (mit Bleistift): SR
Signiert, datiert und bezeichnet auf einem beigelegten Blatt: Gute Weihnachtstage 1933 / K. u. E. SRottluff
Captions Added Later
Verso mittig Stempel des Städelschen Kunstinstituts, Frankfurt am Main (Lugt 2356), mit zugehöriger Inventarnummer
Watermark
  • Nicht vorhanden

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© VG Bild-Kunst, Bonn 2024

Work Content

Motifs and References

Iconclass

Primary

Research and Discussion

Provenance

Object History
Karl Schmidt-Rottluff, Berlin
Schenkung an Carl Hagemann (1867-1940), Frankfurt, 1933
Nachlass Carl Hagemann, 1940
Schenkung der Erben an das Städelsche Kunstinstitut, Frankfurt am Main, 1948.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

25.04.2024