Grabmal des Bildhauers und Baumeisters Busketus im Dom zu Pisa sowie drei über dem Haupteingang zum Baptisterium befindliche Statuen, Johann Anton Ramboux
Johann Anton Ramboux
Grabmal des Bildhauers und Baumeisters Busketus im Dom zu Pisa sowie drei über dem Haupteingang zum Baptisterium befindliche Statuen
DE
Back to top
This work belongs to a main work

Johann Anton Ramboux

Grabmal des Bildhauers und Baumeisters Busketus im Dom zu Pisa sowie drei über dem Haupteingang zum Baptisterium befindliche Statuen, 1818 – 1843


Blatt
288 x 204 mm
Inventory Number
Bib. 2472
Object Number
Bib. 2472 II 48A
Acquisition
Acquired in 1868
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
Grabmal des Bildhauers und Baumeisters Busketus im Dom zu Pisa sowie drei über dem Haupteingang zum Baptisterium befindliche Statuen
Draughtsman
Adhesive tape
Sammlung von Umrissen und Durchzeichnungen, Band 2
Part Number / Total
1 / 2
Production Place
Period Produced
Object Type
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Bezeichnet oben (mit Bleistift): BVSKET / di DVLICHIO // scuttore et // Architetto / fece la fabbrica del // Duomo di Pisa nel' Anno 1016; mittig: nella facciata del Duomo di PiSA.; in der oberen und über der unteren Darstellung: [...]
Captions Added Later
Bezeichnet oben rechts (mit Bleistift): 784. 389
Watermark
  • Nicht geprüft

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1868

Work Content

Motifs and References

Iconclass

Primary
  • 42E35 grave-building, monumental tomb
  • 25G3 trees
  • 25H1 landscapes in the temperate zone

Research and Discussion

Provenance

Object History
Johann Anton Ramboux (1790-1866)
Nachlass Johann Anton Ramboux, 1866
Versteigerung durch J.M. Heberle (H. Lempertz), Köln, 23.5.1867 an Ferdinand Prestel, Frankfurt am Main, 1867
verkauft an das Städelsche Kunstinstitut, Frankfurt am Main, 1868.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

More to discover

Contact

Do you have any suggestions, questions or information about this work?

Last update

10.04.2024