Detail study for the cupola fresco depicting the Assumption of the Virgin in the cathedral of Parma, Correggio
Correggio
Detail study for the cupola fresco depicting the Assumption of the Virgin in the cathedral of Parma
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Related external works

Realisation

Correggio: Himmelfahrt Mariens, 1524-1528, Kuppelfresko. Cattedrale di S. Maria Assunta, Parma

Part of the same work process

Correggio: Eva, ein Putto mit dem Apfel und ein Engel, ca. 1523/1524, rote Kreide auf Papier, 183 x 130 mm. Inv. Nr. 1895,0915.738, British Museum, Department of Prints and Drawings, London (Popham 1957.160.51; Di Giampaolo 1989.64)

Correggio: Eva und ein Putto mit dem Apfel, ca. 1523/1524, Feder in Braun über roter Kreide, auf Papier, 182 x 213 mm. Inv. Nr. A 67, Teylers Stichting, Haarlem (Popham 1957.160.52; Di Giampaolo 1989.65)

Correggio: Eve tendant la pomme, ca. 1523/1524, rote Kreide, Spuren von Weißhöhung, auf Papier, 116 x 104 mm. Inv. Nr. RF 499, Musée du Louvre, Département des Arts graphiques, Paris (Popham 1957.160.53; Di Giampaolo 1989.66)

Correggio

Detail study for the cupola fresco depicting the Assumption of the Virgin in the cathedral of Parma, ca. 1523 – 1524


Blatt
360 x 357 mm
Physical Description
Red chalk and brown ink, two segments of circular lines with red chalk, squared, left-over framing line with grey ink on bottom right, on laid paper, distance of chain lines (vertical) |32|
Inventory Number
395
Object Number
395 Z
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
Detail study for the cupola fresco depicting the Assumption of the Virgin in the cathedral of Parma
Draughtsman
Period Produced
School
Object Type
Physical Description
Red chalk and brown ink, two segments of circular lines with red chalk, squared, left-over framing line with grey ink on bottom right, on laid paper, distance of chain lines (vertical) |32|
Material
Technique
Geographic Reference
Production Reason
Captions Added Later
Bezeichnet unten links (mit der Feder in Braun): Correggio; Stempel der Sammlung Sir Joshua Reynolds, London (Lugt 2364); Trockenstempel der Sammlung Sir Thomas Lawrence, London (Lugt 2445); verso unten links Stempel des Städelschen Kunstinstituts, Frankfurt am Main (Lugt 2356), mit zugehöriger Inventarnummer
Watermark
  • Nicht vorhanden
Work Catalogues
  • Popham 1957.160.54
  • Di Giampaolo 1989.67

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain

Work Content

Motifs and References

Genre
Main Motif
Persons Shown
Associated Persons and Institutions
Illustrated Passage
  • Bibel, Altes Testament, Genesis 3,6
  • Bibel, Altes Testament, Judit 13,4-8

Iconclass

Primary
  • 73E77 the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels
  • 71A4232 Eve (alone) holding the fruit
  • 71U4 Judith and Holofernes (Judith 8-16)
  • 92D1916 cupids: 'amores', 'amoretti', 'putti'

Similar works

  • All
  • Motif
  • Picture Elements
  • Association
  • Atmosphere
  • Emotion

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Last update

25.04.2024