Christ as Man of Sorrows, Master of the Stalburg Portraits
Master of the Stalburg Portraits
Christ as Man of Sorrows
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Reference

Albrecht Dürer: Der Schmerzensmann mit ausgebreiteten Armen (Ecce homo), um 1500, Kupferstich, 114 x 70 mm (Werkverzeichnis Schoch/Mende/Scherbaum, Nr. 26)

Part

Meister der Stalburg-Bildnisse: Kreuzigung (Mitteltafel), zerstört

Master of the Stalburg Portraits

Christ as Man of Sorrows, 1504


Dimensions
187.9 x 56.3 x min. 2.0 cm
maximum depth
2.0 cm
Physical Description
Mixed technique on fir
Inventory Number
SG 1143
Acquisition
Acquired in 1953
Status
Not on display

Work Data

Basic Information

Title
Christ as Man of Sorrows
Painter
Part of
Wings of an Altarpiece from the Private Chapel of the Stalburg in Frankfurt
Period Produced
School
Object Type
Physical Description
Mixed technique on fir
Material
Technique

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
CC BY-SA 4.0 Städel Museum, Frankfurt am Main
Acquisition
Acquired in 1953

Work Content

Motifs and References

Genre
Main Motif
Persons Shown
Associated Persons and Institutions
Illustrated Passage
  • Bibel, Altes Testament, Jesaja 53,3-4

Iconclass

Primary
  • 73D732 whole figure, sitting or standing of the Man of Sorrows
  • 11D12 the cross ~ symbols of Christ
Secondary

Research and Discussion

Provenance

Object History
...
Herzogliches Haus Sachsen-Meiningen, seit spätestens 1903
Margot Prinzessin von Sachsen-Meiningen (1911-1998), Freiburg i.Br., u.a.
verkauft an die Städtische Galerie, Frankfurt a.M.,1953.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last import

02.07.2020