Blumenstrauß in brauner Tonvase, Odilon Redon
Odilon Redon
Blumenstrauß in brauner Tonvase
DE
Back to top

Odilon Redon

Blumenstrauß in brauner Tonvase, ca. 1900 – 1916


Blatt
538 x 415 mm
Inventory Number
16035
Object Number
16035 Z
Status
On loan

Work Data

Basic Information

Title
Blumenstrauß in brauner Tonvase
Draughtsman
Period Produced
Object Type
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Signiert unten rechts (mit schwarzer Kreide): ODILON REDON
Captions Added Later
Verso unten rechts Stempel der Städelschen Kunstinstitut, Frankfurt am Main (Lugt 2356), mit zugehöriger Inventarnummer
Watermark
  • Nicht vorhanden

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© Städel Museum, Frankfurt am Main, Foto: U. Edelmann

Work Content

Motifs and References

Genre

Iconclass

Primary
  • 41A6711 flowers in a vase
  • 25G411 cut flowers; nosegay, bunch of flowers

Research and Discussion

Provenance

Object History
Nachlass Ottilie W. Roederstein (1859-1937), Hofheim, 1937
Elisabeth H. Winterhalter (1856-1952), Hofheim
Depositum im Städelschen Kunstinstitut, Frankfurt am Main, 1944
Vermächtnis Elisabeth Winterhalters an das Städelsche Kunstinstitut, Frankfurt am Main, 1952.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

Similar works

  • All
Show connecting keywords Hide connecting keywords

Tap on any work to display common keywords.

Hover over a work to display connecting keywords.

More to discover

Contact

Do you have any suggestions, questions or information about this work?

Last update

15.02.2021