Yellow Glow, Fritz Winter
Fritz Winter
Yellow Glow
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Fritz Winter

Yellow Glow, 1951


Keilrahmen
706 x 1049 x 28 mm
Blatt
701 x 1042 mm
Physical Description
Oil on paper, mounted on canvas
Inventory Number
17915
Object Number
17915 Z
Acquisition
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection
Status
Not on display

Texts

About the Work

Here Fritz Winter painted various irregular overlapping and interlocking colour shapes on a sheet of smooth paper mounted on canvas. The brushwork is for the most part fine and glazed, but in some places the artist created a rich, relief-like texture with pure paint. A dynamic meshwork takes shape between the haptically variegated surfaces, between form and colour. Winter, who was strongly influenced by Paul Klee at the Dessau Bauhaus, thus translated the secret workings of nature, of the world, into an abstract composition.

About the Acquisition

The Städel Museum has the photographer, psychotherapist, philanthropist, and long-time Frankfurt resident Ulrike Crespo (1950–2019) to thank for more than ninety works ranging from classical modernism to American pop art. The paintings, drawings, and prints by Wassily Kandinsky, Otto Dix, Oskar Schlemmer, Max Ernst, Jean Dubuffet, Cy Twombly, and others originally belonged to the holdings of her grandfather, the Darmstadt-based industrialist Karl Ströher (1890–1977), who amassed an extensive art collection after World War II.

Work Data

Basic Information

Title
Yellow Glow
Artist
Period Produced
Object Type
Physical Description
Oil on paper, mounted on canvas
Material
Technique
Geographic Reference
Label at the Time of Manufacture
Signiert und datiert unten links (mit dem Pinsel in Schwarz): fwinter 51
Watermark
  • Nicht feststellbar
Work Catalogues
  • Lohberg 1218

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© VG Bild-Kunst, Bonn 2022
Acquisition
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection

Work Content

Motifs and References

Genre
Main Motif

Iconclass

Primary
  • 0 Abstract, Non-representational Art
  • 49D32 line (~ planimetry, geometry)
  • 49D43 prism ~ stereometry
  • 22C4(YELLOW) colours, pigments, and paints: yellow
Secondary
  • 49D36 circle (~ planimetry, geometry)
  • 22C4(BLACK) colours, pigments, and paints: black

Research and Discussion

Provenance

Object History
Fritz Winter (1905-1976)
an Karl Ströher (1890-1977), Darmstadt, 1963
Nachlass Karl Ströher, 1977
an seine Enkelin Ulrike Crespo (1950-2019), Frankfurt am Main
Vermächtnis an das Städelsche Kunstinstitut, Frankfurt am Main, 2019.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

22.11.2022