Verschwundene Landschaften, Irak, Mesopotamien, Ursula Schulz-Dornburg
Ursula Schulz-Dornburg
Verschwundene Landschaften, Irak, Mesopotamien
Back to top
This work consits of multiple parts

Ursula Schulz-Dornburg

Verschwundene Landschaften, Irak, Mesopotamien, 1980


Physical Description
Gelatin silver print on baryta paper
Inventory Number
St.F.3947a-h
Acquisition
Acquired in 2018 as a gift from private property
Status
Not exhibited

Work Data

Property and Acquisition

Institution
Administration
Collection
Picture Copyright
© Ursula Schulz-Dornburg
Acquisition
Acquired in 2018 as a gift from private property

Work Content

Iconclass

Primary
  • 5 Abstract Ideas and Concepts
  • 48C149 ruin of a building ~ architecture
  • 61E(UR) names of cities and villages (UR)
  • 61D(IRAQ) geographical names of countries, regions, mountains, rivers, etc. (IRAQ) (IRAQ)
  • 61D(MESOPOTAMIA) geographical names of countries, regions, mountains, rivers, etc. (MESOPOTAMIA) (MESOPOTAMIA)
  • 25H114 low hill country
Secondary

Research and Discussion

Provenance

Object History
Schenkung der Künstlerin an das Städelsche Kunstinstitut, Frankfurt am Main, 2018

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

Similar works

  • All
  • Motif
  • Picture Elements
  • Association
  • Atmosphere
  • Emotion
Show connecting keywords Hide connecting keywords

Tippen Sie auf ein Werk, um gemeinsame Schlagworte anzuzeigen.

Hover over a work to display connecting keywords.

More to discover

Contact

Do you have any suggestions, questions or information about this work?

Last import

06.08.2019