Untitled, Karl Otto Götz
Karl Otto Götz
Untitled
DE
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Karl Otto Götz

Untitled, 1957


Blatt
648 x 500 mm
Physical Description
Gouache (distemper?) in purple and black on white cardboard
Inventory Number
17110
Object Number
17110 Z
Acquisition
Acquired in 2011 as a gift from Margarethe and Klaus Posselt
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Work

For this drawing, Karl Otto Götz chose very smooth cardboard that did not absorb the paint as quickly, thus allowing the gouache paint to glide across the surface better. He began by priming the surface with glue. Next, he used a brush to paint a purple band into which he then very quickly and energetically worked black paint. Finally, he took the squeegee in hand and, with angular sweeps, pushed the paint aside, re-exposing the cardboard ground. By these means he succeeded in interweaving the dynamic forms with one another and integrating the ‘background’ into the composition. “There are no longer isolated forms, but rather each formal element blends with the neighbouring ones; everything is interrelated”[1], Götz later explained.

[1] K. O. Götz. Erinnerungen und Werk, Band Ib, Düsseldorf 1983, p. 957

Work Data

Basic Information

Title
Untitled
Draughtsman
Period Produced
Object Type
Physical Description
Gouache (distemper?) in purple and black on white cardboard
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Signiert unten mittig (mit Pinsel in schwarzer Gouache): K. O. Götz
Verso signiert und datiert (mit Pinsel in Schwarz): K. O. Götz / 1957
Captions Added Later
Bleistiftmarkierung an rechter Kante [teilweise angeschnitten]
Verso runder Sammlungsstempel in Blau: SAMMLUNG*RISSA GÖTZ (nicht bei Lugt)
Watermark
  • Nicht vorhanden

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© VG Bild-Kunst, Bonn 2024
Acquisition
Acquired in 2011 as a gift from Margarethe and Klaus Posselt

Work Content

Motifs and References

Genre

Iconclass

Primary
  • 5 Abstract Ideas and Concepts

Research and Discussion

Provenance

Object History
Sammlung Rissa Götz
Sammlung Margarethe und Klaus Posselt, Frankfurt/Bonn
Schenkung an das Städelsche Kunstinstitut, Frankfurt am Main, 2011.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

25.04.2024