The Virgin Mary Mourning, Master of the Stalburg Portraits
Master of the Stalburg Portraits
The Virgin Mary Mourning
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Part

Meister der Stalburg-Bildnisse: Kreuzigung (Mitteltafel), zerstört

Master of the Stalburg Portraits

The Virgin Mary Mourning, 1504


Dimensions
188.4 x 56.3 x min. 2.5 cm
maximum depth
2.5 cm
Physical Description
Mixed technique on fir
Inventory Number
SG 1142
Acquisition
Acquired in 1953
Status
Not on display

Work Data

Basic Information

Title
The Virgin Mary Mourning
Painter
Part of
Wings of an Altarpiece from the Private Chapel of the Stalburg in Frankfurt
Period Produced
School
Object Type
Physical Description
Mixed technique on fir
Material
Technique

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
CC BY-SA 4.0 Städel Museum, Frankfurt am Main
Acquisition
Acquired in 1953

Work Content

Motifs and References

Genre
Main Motif
Persons Shown
Associated Persons and Institutions

Iconclass

Primary
  • 11F the Virgin Mary
  • 73D72 the mourning over the dead Christ
  • 11G angels

Research and Discussion

Provenance

Object History
...
Herzogliches Haus Sachsen-Meiningen, seit spätestens 1903
Margot Prinzessin von Sachsen-Meiningen (1911-1998), Freiburg i.Br., u.a.
verkauft an die Städtische Galerie, Frankfurt a.M.,1953.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

02.07.2020