Study for "Christ Exorcising a Demon", Salvator Rosa
Salvator Rosa
Study for "Christ Exorcising a Demon"
DE
Back to top
Related external works

Part of the same work process

Salvator Rosa: Christus heilt einen Besessenen, ca. 1660-1665, Feder in Braun, 76 x 172 mm. Inv. 7457.25.31B, Museum der bildenden Künste, Leipzig

Realisation

Salvator Rosa: Christus heilt einen Besessenen, nach 1662, Öl auf Leinwand, 57 x 57 cm. Incisa della Rocchetta-Chigi Collection, Rom

Salvator Rosa

Study for "Christ Exorcising a Demon", ca. 1660 – 1665


Blatt
171 x 163 mm
Inventory Number
4354
Object Number
4354 Z
Status
Not on display

Work Data

Basic Information

Title
Study for "Christ Exorcising a Demon"
Draughtsman
Period Produced
School
Object Type
Material
Technique
Geographic Reference
Production Reason
Captions Added Later
Verso unten links und mittig Stempel des Städelschen Kunstinstituts, Frankfurt am Main (Lugt 2356), mit zugehöriger Inventarnummer
Watermark
  • Nicht geprüft
Work Catalogues
  • Mahoney 1977.I.628.71.2

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain

Work Content

Motifs and References

Genre
Persons Shown
Illustrated Passage
  • Bibel, Neues Testament, Markus 5,1-20

Iconclass

Primary
  • 73C43 Christ healing possessed people

Research and Discussion

Provenance

Object History
Johann Friedrich Städel (1728–1816), Frankfurt am Main
Nachlass Johann Friedrich Städel, 1816.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

More to discover

Contact

Do you have any suggestions, questions or information about this work?

Last update

10.04.2024