Skizzenbuch mit Entwürfen zu Schneeweisschen und Rosenrot, Hans Thoma
Hans Thoma
Skizzenbuch mit Entwürfen zu Schneeweisschen und Rosenrot
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Hans Thoma

Skizzenbuch mit Entwürfen zu Schneeweisschen und Rosenrot, 1839 – 1924


Skizzenblock
274 x 215 x 10 mm
Einleger 1
194 x 125 mm
Einleger 2
272 x 197 mm
Einleger 3
height: 268 mm
EInleger 3
width: 204 mm
Physical Description
Pencil, pen and black ink on wove paper, in tear-off pad with cardboard envelope Inlay 1: pencil on two, previously sewn together sheets of wove paper; inlay 2: pencil and pen and black ink on sheet of mentioned tear-off pad; inlay 3: pencil on wove paper
Inventory Number
SG 2112
Object Number
SG 2112 Z
Acquisition
Acquired in 1938, Hans Thoma Collection of Otto Eiser-Eduard Kücher
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Work

Hans Thoma mainly drew representations of the fairy tale “Snow White and Rose Red” in this sketchbook, probably after the version by the Brothers Grimm. He later tore two of these scenes out of the block along the perforation line; today they are enclosed as loose sheets. The sketchbook, which is otherwise barely used, contains only three further sketches of sagas and legends: a Nordic scene, which has yet to be identified, a representation of Odin, the Germanic father of the gods, and a Virgin Mary surrounded by birds. It is unknown whether the designs were created in preparation for (book) illustrations. They are neither signed nor dated, not even inscribed. – The same applies to the two loose sheets with studies of plants and trees from another sketchbook.

For a full sketchbook description, please see “Research”.

Work Data

Basic Information

Title
Skizzenbuch mit Entwürfen zu Schneeweisschen und Rosenrot
Draughtsman
Period Produced
Object Type
Physical Description
Pencil, pen and black ink on wove paper, in tear-off pad with cardboard envelope Inlay 1: pencil on two, previously sewn together sheets of wove paper; inlay 2: pencil and pen and black ink on sheet of mentioned tear-off pad; inlay 3: pencil on wove paper
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Nicht bezeichnet
Umschlag vorne: links oben aufgedrucktes Wappen mit dem Monogramm „AS“ und der Bezeichnung „Schutz-Marke“, unten links Aufdruck: Gesetzl. geschützt
Umschlag innen bedrucktes Etikett: FRITZ FISCHER / PAPIERHANDLUNG / 2,- [hs. ergänzt] / KARLSRUHE
Captions Added Later
Auf der Abrisskante notiert wohl von fremder Hand (mit Bleistift): Zu Schneeweißchen & Rosenrot (Rasor x Scholderer?)
Auf dem vorderen Spiegel unten links Stempel der Städtischen Galerie, Frankfurt am Main (Lugt 2371c), mit zugehöriger Inventarnummer
Watermark
  • Nicht vorhanden

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1938, Hans Thoma Collection of Otto Eiser-Eduard Kücher

Research and Discussion

Research

Description / Content
Download PDF

Provenance

Object History
...
Otto Eiser (1834-1898) / Eduard Küchler (1840-1919, Vater von Sofie Bergman geb. Küchler)
an Sofie Bergman-Küchler (1878-1960), Frankfurt am Main
Verkauf und Schenkung als "Hans Thoma-Sammlung von Otto Eiser-Eduard Küchler" an die Stadt Frankfurt am Main, 1938.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

Conservation and Restoration

Art-technology findings and/or documentation regarding conservation and restoration are available for this work. If interested, please contact .

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Last update

25.04.2024