Salomo und seine Frauen, Emil Nolde
Emil Nolde
Salomo und seine Frauen
DE
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Emil Nolde

Salomo und seine Frauen, 1911


Blatt
605 x 445 mm
Platte
300 x 249 mm
Physical Description
Radierung
Inventory Number
65798
Object Number
65798 D
Acquisition
Acquired in 1948 as a donation from the heirs of the Carl Hagemann estate
Status
Not on display

Texts

About the Acquisition

From 1900 onwards, the Frankfurt chemist and industrialist Carl Hagemann (1867‒1940) assembled one of the most important private collections of modern art. It included numerous paintings, drawings, watercolours and prints, especially by members of the artist group “Die Brücke”. After Carl Hagemann died in an accident during the Second World War, the then Städel director Ernst Holzinger arranged for Hagemann’s heirs to evacuate his collection with the museum’s collection. In gratitude, the family donated almost all of the works on paper to the Städel Museum in 1948. Further donations and permanent loans as well as purchases of paintings and watercolours from the Hagemann estate helped to compensate for the losses the museum had suffered in 1937 as part of the Nazi’s “Degenerate Art” campaign. Today, the Hagemann Collection forms the core of the Städel museum’s Expressionist collection.

Work Data

Basic Information

Title
Salomo und seine Frauen
Artist
Period Produced
Object Type
Physical Description
Radierung
Material
Technique
Geographic Reference
Label at the Time of Manufacture
Signiert unterhalb der Darstellung rechts (mit Bleistift): Emil Nolde.; betitelt unten mittig (von fremder Hand?): Salomon und seine Frauen; bezeichnet rechts daneben: selbst gedruckt.; nummeriert unten links: II. 4
Captions Added Later
Bezeichnet unten rechts (mit Bleistift): M. 40.
Verso bezeichnet unten links (mit Bleistift): [unleserlich] Nolde [unleserlich].; bezeichnet und nummeriert darunter (mit Kopierstift): Dr Hagemann Nr. 8; nummeriert links daneben (mit Bleistift): 5.
Verso mittig links Stempel des Städelschen Kunstinstituts, Frankfurt am Main (Lugt 2356), mit zugehöriger Inventarnummer
Watermark
  • mittig: [bekröntes Wappen mit einer Lilie] / VGZ // [...?]n Gelder [...] / Holland [...] [alles in Versalien und Kapitälchen, um 90 Grad nach rechts gedreht, beschnitten]
Work Catalogues
  • Schiefler-Mosel-Urban R. 153 II (von II)

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© Nolde Stiftung Seebüll
Acquisition
Acquired in 1948 as a donation from the heirs of the Carl Hagemann estate

Work Content

Motifs and References

Iconclass

Primary
  • 11I62(SOLOMON) Solomon (not in biblical context); possible attributes of Solomon: crown, sceptre, sword
  • 31D14 adult man
  • 31D15 adult woman
Secondary
  • 31AA the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure
  • 41C331 cup and saucer

Research and Discussion

Provenance

Object History
Emil Nolde (1867-1956)
verkauft an Carl Hagemann (1867-1940), Leverkusen, 1914 [1]
Nachlass Carl Hagemann, Frankfurt am Main, 1940
Schenkung der Erben an das Städelsche Kunstinstitut, Frankfurt am Main, 1948.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

19.02.2024