Saint Catherine of Alexandria, Piedmont Master ca. 1515
Piedmont Master ca. 1515
Saint Catherine of Alexandria
DE
Back to top

Piedmont Master ca. 1515

Saint Catherine of Alexandria, 1510 – 1520


Dimensions
75.3 x 39.1 x 2.2 cm
Physical Description
Poplar
Inventory Number
SG 519
Acquisition
Acquired in 1934 by bequest from Hugo Kessler
Status
Not on display

Texts

About the Acquisition

In 1927 the Frankfurter banker Hugo Kessler (1856–1929) stipulated by will that the Städel Museum was to receive his collection of artworks upon the death of his sister Anna Maria Laetitia Kessler (1863–1934). All in all, the collection comprised forty-two predominantly Baroque paintings. However, Kessler also revered younger artists, such as Carl Spitzweg and Carl Friedrich Lessing, as well as Wilhelm Busch, a personal acquaintance. In the spring of 1936 the Städel presented an exhibition of the entire Kessler-Kolligs bequest – Kolligs being the maiden name of Kessler’s mother.

Work Data

Basic Information

Title
Saint Catherine of Alexandria
Painter
Period Produced
Object Type
Physical Description
Poplar
Material

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1934 by bequest from Hugo Kessler

Work Content

Motifs and References

Genre
Main Motif
Persons Shown
Associated Persons and Institutions
Associated Source
  • Die Legenda aurea des Jacobus de Voragine, übersetzt von Richard Benz, Heidelberg 1984

Iconclass

Primary
  • 11HH(CATHERINE) the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel
Secondary

Research and Discussion

Provenance

Object History
...
Hugo Kessler (1856-1929), Frankfurt
Nachlass Hugo Kessler, 1929
als Vermächtnis "Kessler-Kolligs" an das Städelsche Kunstinstitut, Frankfurt, 1934.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

Similar works

  • All
  • Motif
  • Picture Elements
  • Association
  • Atmosphere
  • Emotion
Show connecting keywords Hide connecting keywords

Tap on any work to display common keywords.

Hover over a work to display connecting keywords.

More to discover

Contact

Do you have any suggestions, questions or information about this work?

Last update

25.04.2024