Roter Wimpel, Karl Otto Götz
Karl Otto Götz
Roter Wimpel
DE
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Karl Otto Götz

Roter Wimpel, 1946


Karton
470 x 683 mm
Montierungskarton
491 x 696 mm
Physical Description
Tempera, scratched, on thin cardboard, mounted on cardboard
Inventory Number
17108
Object Number
17108 Z
Status
Not on display

Texts

About the Work

In this work, Karl Otto Götz combined slightly distorted geometric forms with human-like figures striding somnambulistically through the pictorial space as on a stage. He immersed the body forms in dark green and purple, adding isolated accents in vivid yellow, orange and red. As he worked, he applied the paints so thickly that they virtually form a relief on the cardboard. In the background, on the other hand, he used a brush and scraper to spread out the bands of colour relatively thinly, thus bringing out the figures’ plasticity all the more distinctly. The brushstrokes and impressions made by the scraper are clearly discernible and testify to the artist’s growing interest in gestural expression.

Work Data

Basic Information

Title
Roter Wimpel (Original Title)
Title Translation
Red Pennant
Draughtsman
Period Produced
Object Type
Physical Description
Tempera, scratched, on thin cardboard, mounted on cardboard
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Signiert und datiert unten links (mit dem Pinsel in Gelb und Violett): Götz 46
Captions Added Later
Verso bezeichnet auf dem Montierungsbogen oben links (mit schwarzem Filzstift): K. O. Götz / 5009 / "Roter Wimpel" 1946 / 46 x 68; anderer Filzstift: 2101/87, gestempelt oben links: 5009, oben mittig mit Bleistift: M69040, verwischte weiße Kreide: 908, oben mittig: rundes Sammleretikett: SAMMLUNG MARGARETHE UND KLAUS POSSELT [gedruckt in Rot] / No. 45 [in Filzstift], unten rechts Aufkleber vom 1. Juni 1991, kleiner Aufkleber in Rot gestempelt: 125.
Watermark
  • Nicht vorhanden

Property and Acquisition

Institution
Administration
Collection
Picture Copyright
© VG Bild-Kunst, Bonn 2021

Work Content

Motifs and References

Genre

Iconclass

Primary
  • 5 Abstract Ideas and Concepts
  • 41B1 open fire (in general)
  • 44A3(+0) flag, colours (as symbol of the state, etc.) (+ variant)

Research and Discussion

Provenance

Object History
Sammlung Margarethe und Klaus Posselt, Frankfurt/Bonn
Schenkung an das Städelsche Kunstinstitut, Frankfurt am Main, 2011.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

18.01.2021