Roman Shepherd Family Resting Beneath a Tree, Johannes Lingelbach
Johannes Lingelbach
Roman Shepherd Family Resting Beneath a Tree
DE
Back to top

Johannes Lingelbach

Roman Shepherd Family Resting Beneath a Tree, ca. 1650 – 1651


Dimensions
32.1 x 25.3 cm
Physical Description
Oil on canvas, lined
Inventory Number
553
Acquisition
Acquired in 1817 with the Sophia Franziska de Neufville-Gontard collection
Status
Not on display

Work Data

Basic Information

Title
Roman Shepherd Family Resting Beneath a Tree
Painter
Period Produced
School
Object Type
Physical Description
Oil on canvas, lined
Material
Technique
Label at the Time of Manufacture
Unbezeichnet

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1817 with the Sophia Franziska de Neufville-Gontard collection

Work Content

Motifs and References

Iconclass

Primary
  • 47I221 herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
  • 31D15 adult woman
  • 31D14 adult man
  • 46C131 riding a horse, ass, or mule; rider, horseman
  • 48CC72 musician - CC - out of doors
Secondary
Associative
  • 61D(CAMPAGNA DI ROMA) geographical names of countries, regions, mountains, rivers, etc. (CAMPAGNA DI ROMA) (CAMPAGNA DI ROMA)

Research and Discussion

Provenance

Object History
...
Anthony Grill (gest. 1727), Amsterdam, bis 1727
Nachlass Grill, 1727
Verst. Nachlass Grill, Amsterdam (de Bosch), 10. April 1776 (Nr. 21)
...
anon. Verst. Amsterdam (de Winter, Yver), 7. August 1776 (Nr. 304)
...
Johann Matthias de Neufville-Gontard (1754-1794), Frankfurt am Main
an Sophia Franziska de Neufville-Gontard (1767-1833), Frankfurt am Main
verkauft an das Städelsche Kunstinstitut, Frankfurt am Main, 15. April 1817.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

Similar works

  • All
  • Motif
  • Picture Elements
  • Association
Show connecting keywords Hide connecting keywords

Tap on any work to display common keywords.

Hover over a work to display connecting keywords.

More to discover

Contact

Do you have any suggestions, questions or information about this work?

Last update

25.04.2024