Reclining Woman (Portrait of Johanna Loeb), Max Beckmann
Max Beckmann
Reclining Woman (Portrait of Johanna Loeb)
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Max Beckmann

Reclining Woman (Portrait of Johanna Loeb), 1922

500 x 651 mm
302 x 453 mm
Physical Description
Chalk lithograph (transfer print) in black on wove paper
Inventory Number
Object Number
67992 D
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection
Can be presented in the study room of the Graphische Sammlung (special opening hours)


About the Acquisition

The Städel Museum has the photographer, psychotherapist, philanthropist, and long-time Frankfurt resident Ulrike Crespo (1950–2019) to thank for more than ninety works ranging from classical modernism to American pop art. The paintings, drawings, and prints by Wassily Kandinsky, Otto Dix, Oskar Schlemmer, Max Ernst, Jean Dubuffet, Cy Twombly, and others originally belonged to the holdings of her grandfather, the Darmstadt-based industrialist Karl Ströher (1890–1977), who amassed an extensive art collection after World War II.

Work Data

Basic Information

Reclining Woman (Portrait of Johanna Loeb)
Eines von 50 Ex.
Period Produced
Object Type
Physical Description
Chalk lithograph (transfer print) in black on wove paper
Geographic Reference
Label at the Time of Manufacture
Signiert unterhalb der Darstellung rechts (mit Bleistift): Beckmann
Captions Added Later
Betitelt unten rechts (mit Bleistift): Liegende Dame
Verso nummeriert unten links (mit Bleistift): 1107/29
  • entlang der linken Blattkante: Johann Wilhelm
Work Catalogues
  • Hofmaier 210 II (von II) B
  • Gallwitz 180
  • Glaser 185 und 186 a
  • Beckmann-Liste 188

Property and Acquisition

Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection

Work Content

Motifs and References



  • 61BB2(LOEB, Johanna)11(+54) historical person (LOEB, Johanna) - BB - woman - historical person (LOEB, Johanna) portrayed alone (+ three-quarter length portrait)
  • 31D15 adult woman
  • 31AA236 lying figure - AA - female human figure

Research and Discussion


Object History
Karl Ströher (1890-1977), Darmstadt
Nachlass Karl Ströher, 1977
an seine Enkelin Ulrike Crespo (1950-2019), Frankfurt am Main
Vermächtnis an das Städelsche Kunstinstitut, Frankfurt am Main, 2019.


Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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