Nude Girl in the Bath, Ernst Ludwig Kirchner
Ernst Ludwig Kirchner
Nude Girl in the Bath
DE
Back to top

Ernst Ludwig Kirchner

Nude Girl in the Bath, 1908


Blatt
352 x 523 mm
Druckstock
285 x 345 mm
Physical Description
Woodcut in black on Japanese laid paper
Inventory Number
68004
Object Number
68004 D
Acquisition
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Work

Woodcut played a key role in Kirchner’s printmaking oeuvre, paving his way to a radically simplified mode of depiction. 'Nude Girl in the Bath' of 1908 is composed of a few distinct, almost coarse-looking forms and relies strongly on the effects of contrasts and two-dimensionality. Possibly inspired by Edgar Degas, Kirchner frequently depicted the motif of the nude washing herself in drawings, prints, and paintings. The unrestrained, everyday poses and movements held a strong appeal for him.

About the Acquisition

The Städel Museum has the photographer, psychotherapist, philanthropist, and long-time Frankfurt resident Ulrike Crespo (1950–2019) to thank for more than ninety works ranging from classical modernism to American pop art. The paintings, drawings, and prints by Wassily Kandinsky, Otto Dix, Oskar Schlemmer, Max Ernst, Jean Dubuffet, Cy Twombly, and others originally belonged to the holdings of her grandfather, the Darmstadt-based industrialist Karl Ströher (1890–1977), who amassed an extensive art collection after World War II.

Work Data

Basic Information

Title
Nude Girl in the Bath
Artist
Period Produced
Object Type
Physical Description
Woodcut in black on Japanese laid paper
Material
Technique
Geographic Reference
Label at the Time of Manufacture
Nicht bezeichnet
Captions Added Later
Verso nummeriert unten links (mit Bleistift): 4983; unterhalb des Basler Nachlassstempels: K 5360
Verso unten links Basler Nachlassstempel (Lugt 1570b), mit handschriftlichem Vermerk der Werkverzeichnisnummer von Schiefler (in Schwarz): H 103 II D
Watermark
  • Nicht vorhanden
Work Catalogues
  • Gercken 260
  • Dube H 145
  • Schiefler H 103

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 2019 as a bequest from Ulrike Crespo from the Karl Ströher Collection

Work Content

Motifs and References

Genre

Iconclass

Primary
  • 31AA the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure
  • 31D13 adolescent, young woman, maiden
Secondary
  • 31AA233 kneeling figure - AA - female human figure
  • 31A545 taking a bath

Research and Discussion

Provenance

Object History
Nachlass Ernst Ludwig Kirchner, Davos, 1938 [1]
...
Verst. Stuttgarter Kunstkabinett (31. Auktion) an Karl Ströher (1890-1977), Darmstadt, 20. Mai 1958 (Los-Nr. 510) [2]
Nachlass Karl Ströher, 1977
an seine Enkelin Ulrike Crespo (1950-2019), Frankfurt am Main
Vermächtnis an das Städelsche Kunstinstitut, Frankfurt am Main, 2019 [3].

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

More to discover

Albums

Contact

Do you have any suggestions, questions or information about this work?

Last update

19.02.2024