Mother at the Bed of the Dead Child, Käthe Kollwitz
Käthe Kollwitz
Mother at the Bed of the Dead Child
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Käthe Kollwitz: Mutter am Bett des toten Kindes, 1911, Strichätzung. Stiftung Preußischer Kunstbesitz - Staatliche Museen zu Berlin, Kupferstichkabinett, Berlin

Käthe Kollwitz: Mutter am Bett des toten Kindes, 1911, Strichätzung. Käthe-Kollwitz-Museum Berlin und im Stuttgarter Kunstkabinett

Käthe Kollwitz: Mutter am Bett des toten Kindes, 1911, Strichätzung. Stuttgarter Kunstkabinett

Käthe Kollwitz: Mutter am Bett des toten Kindes, 1911, Vernis-mou und Radierung. Ehemals Stuttgarter Kunstkabinett

Käthe Kollwitz

Mother at the Bed of the Dead Child, 1911


Blatt
480 x 585 mm
Darstellung
270 x 380 mm
Physical Description
Charcoal
Inventory Number
SG 3346
Object Number
SG 3346 Z
Acquisition
Acquired in 1964 from the collection of Helmut and Hedwig Goedeckemeyer
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

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About the Acquisition

Immediately after World War I, the art connoisseur and bibliophile Helmut Goedeckemeyer (1898–1983) began amassing one of the largest collections of prints by Käthe Kollwitz. He supplemented these holdings with works of late nineteenth-century French and German printmaking, illustrated books by Max Slevogt, Alfred Kubin and others, and small-scale sculptures by such artists as Aristide Maillol. His collection ultimately encompassed more than 5,000 works. Goedeckemeyer’s close ties to the Städel Museum date back to the 1920s. From 1959 onwards, he and his wife Hedwig were members of the Städelscher Museums-Verein (Städel Museum Association). The City of Frankfurt acquired his Kollwitz collection for the Städtische Galerie (Municipal Gallery) in 1964. He made several gifts to the Städel collection of prints and drawings over the years, and in 1970 presented the museum with Honoré Daumier’s “Ratapoil” (inv. no. St.P391).

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Last update

25.10.2024