Madonna and Child, worshipped by St Carlo Borromeo, Simone Cantarini
Simone Cantarini
Madonna and Child, worshipped by St Carlo Borromeo
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Simone Cantarini

Madonna and Child, worshipped by St Carlo Borromeo, ca. 1630 – 1650


Dimensions
35.5 x 27.0 cm
Physical Description
Canvas
Inventory Number
255
Acquisition
Acquired in 1816 with the founder’s bequest
Status
On display, 2nd upper level, Old Masters, room 1

Work Data

Basic Information

Title
Madonna and Child, worshipped by St Carlo Borromeo
Painter
Period Produced
School
Object Type
Physical Description
Canvas
Material

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1816 with the founder’s bequest

Work Content

Iconclass

Primary
  • 11FF4221(+31) Mary sitting or enthroned, the Christ-child standing on her knee (Christ-child to Mary's left) - FF - the Christ-child to Mary's right (+ angels floating in the air)
  • 11H(CHARLES BORROMEO)4(+2) non-miraculous activities and events ~ St. Charles Borromeo (+ Mary)

Research and Discussion

Provenance

Object History
...
Johann Friedrich Städel (1728–1816), Frankfurt am Main
Nachlass Johann Friedrich Städel, 1816.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

13.03.2024