Madonna and Child with the Crucifixion, Italian Master 15th century
Italian Master 15th century
Madonna and Child with the Crucifixion
Back to top

Italian Master 15th century

Madonna and Child with the Crucifixion, 1401 – 1500


Dimensions
87.8 x 45.5 x min. 2.2 cm
maximum depth
4.2 cm
Physical Description
wood (poplar)
Inventory Number
SG 522
Acquisition
Acquired in 1934 by bequest from Hugo Kessler
Status
Not exhibited

Work Data

Basic Information

Title
Madonna and Child with the Crucifixion
Painter (male)
Period Produced
Object Type
Physical Description
wood (poplar)
Material
Technique

Property and Acquisition

Institution
Administration
Collection
Picture Copyright
© Städel Museum
Acquisition
Acquired in 1934 by bequest from Hugo Kessler

Work Content

Motifs and References

Genre
Main Motif
Persons Shown
Illustrated Passage
  • Bibel, Neues Testament, Matthäus 27,35-56
  • Bibel, Neues Testament, Markus 15,24-41
  • Bibel, Neues Testament, Lukas 23,33-49
  • Bibel, Neues Testament, Johannes 19,18-30

Iconclass

Primary
  • 11F611 'Sacra Conversazione'
  • 11F4222 Mary sitting or enthroned, the Christ-child sitting on her knee (Christ-child to Mary's left)
  • 11HH female saints
  • 11H saints
  • 22C311 nimbus, halo ~ radiance emanating from persons or things
  • 73D6 the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)
  • 73D642 crucified Christ with Mary Magdalene, who usually weeps and embraces the cross
  • 11Q21 one person praying
  • 31A2522 hands folded

Research and Discussion

Provenance

Object History
...
Hugo Kessler (1856-1929), Frankfurt
Nachlass Hugo Kessler, 1929
als Vermächtnis "Kessler-Kolligs" an das Städelsche Kunstinstitut, Frankfurt, 1934.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

Similar works

  • All
  • Motif
  • Picture Elements
Show connecting keywords Hide connecting keywords

Tippen Sie auf ein Werk, um gemeinsame Schlagworte anzuzeigen.

Hover over a work to display connecting keywords.

More to discover

Contact

Do you have any suggestions, questions or information about this work?

Last import

01.07.2019