Heiligendarstellungen verschiedener Künstler, Johann Anton Ramboux, after Taddeo di Bartolo, after Domenico di Bartolo Ghezzi, after Sano di Pietro
Johann Anton Ramboux, Taddeo di Bartolo, Domenico di Bartolo Ghezzi, Sano di Pietro
Heiligendarstellungen verschiedener Künstler
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Reference

Sano di Pietro: Die heilige Jungfrau Maria erscheint dem Papst Callistus III. Pinacoteca Nazionale, Siena


Blatt
580 x 378 mm
Inventory Number
Bib. 2472
Object Number
Bib. 2472 VIII 22A
Acquisition
Acquired in 1868
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
Heiligendarstellungen verschiedener Künstler
Draughtsman
Inventor
Page
Klebebände, Band 8, Seite 22
Part Number / Total
1 / 1
Period Produced
Object Type
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Bezeichnet oben links (mit schwarzem Stift): TADDEO BARTALI sec. XV. // FUNGAJ (?) sec. XV [...]
Captions Added Later
Bezeichnet oben links (mit schwarzem Stift): 204 // 206 // 207; unten links: 1383 // 205
Watermark
  • Nicht geprüft

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
CC BY-SA 4.0 Städel Museum, Frankfurt am Main
Acquisition
Acquired in 1868

Work Content

Motifs and References

Iconclass

Primary
  • 11H saints
  • 11D2 Christ as child or youth (in general) ~ Christian religion
  • 61B2 historical persons
  • 11P3111 pope

Research and Discussion

Provenance

Object History
Johann Anton Ramboux (1790-1866)
Nachlass Johann Anton Ramboux, 1866
Versteigerung durch J.M. Heberle (H. Lempertz), Köln, 23.5.1867 an Ferdinand Prestel, Frankfurt am Main, 1867
verkauft an das Städelsche Kunstinstitut, Frankfurt am Main, 1868.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

19.01.2022