Ein Türklopfer in der Gestalt eines Wilden Mannes an der Casa di Andrea Doria in Genua, Carl Theodor Reiffenstein
Carl Theodor Reiffenstein
Ein Türklopfer in der Gestalt eines Wilden Mannes an der Casa di Andrea Doria in Genua
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Carl Theodor Reiffenstein

Ein Türklopfer in der Gestalt eines Wilden Mannes an der Casa di Andrea Doria in Genua, 1852


Blatt
138 x 85 mm
Inventory Number
9205
Object Number
9205 Z
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
Ein Türklopfer in der Gestalt eines Wilden Mannes an der Casa di Andrea Doria in Genua
Draughtsman
Page
Klebebände, Band 12, Seite 62
Part Number / Total
2 / 2
Production Place
Period Produced
Object Type
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Bezeichnet mittig links (mit Bleistift): Türklopfer Pall. Doria. in Genua.
Nummeriert auf der Seite unterhalb der Zeichnung (mit Feder in Schwarz): 2.
Watermark
  • Nicht feststellbar

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain

Work Content

Iconclass

Primary
  • 41A3241 door-knocker, doorbell
  • 61F(PALAZZO DORIA) names of historical buildings, sites, streets, etc. (PALAZZO DORIA)
  • 61E(GENOVA) names of cities and villages (GENOVA)
  • 61D(ITALIA) geographical names of countries, regions, mountains, rivers, etc. (ITALIA) (ITALIA)

Research and Discussion

Provenance

Object History
Carl Theodor Reiffenstein (1820-1893)
vermacht an das Städelsche Kunstinstitut, Frankfurt am Main, 1893

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

23.04.2024